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Church of Saint Martin of Breny dans l'Aisne

Patrimoine classé
Patrimoine religieux
Eglise romane
Clocher en bâtière
Aisne

Church of Saint Martin of Breny

    10 Route de Neuilly
    02210 Breny
Église Saint-Martin de Breny
Église Saint-Martin de Breny
Église Saint-Martin de Breny
Église Saint-Martin de Breny
Crédit photo : œuvre personnelle - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIIe siècle
Construction of church
1557
Jehan Mérast Funeral Hall
1642
Funeral slab of Anne Thuret
17 mai 1921
Historical monument classification
années 1930
Discovery of neolithic skulls
2011
Destruction of ancient graves
Aujourd'hui
Aujourd'hui

Heritage classified

Church: Order of 17 May 1921

Key figures

Jehan Mérast - Lord of the Pisserolles Buried under a slab of 1557
Anne Thuret - Defunte of 1642 Funeral slab classified in the church
Clotaire Ier - Merovingian King (assumption) Linked to a supposed "village" under the church
Fernand Pinal - Post-impressionist painter Represented the church in strong water
Jean-Marie Petit - Photographer Described the apse as "receiving"
Bernard Ancien - Local historian Summons Breny's Neolithic skulls

Origin and history

The church of Saint Martin in Breny, built in the 12th century, is a rare example of Romanesque architecture in Aisne, classified as a historical monument since 1921. Its semicircular apse, covered with lauzes, and its bell tower with sparrow-steps (or redents) make it an unusual building: this characteristic, frequent in the local habitat, is only present in sixteen churches in the region. The redents of Breny, very eroded, bear witness to an ancient architectural tradition, shared with the Church of St Peter of Bitry, another Merovingian example.

Inside, two classified funeral slabs attract attention: the moon, dated 1557, houses the remains of Jehan Mérast, lord of the Pisserolles, and his wife (inscription partially erased); The other, dedicated to Anne Thuret (1642), illustrates the funeral use of the building. The pavement, located 40 cm below the level of the exterior floor, suggests an ancient foundation, possibly linked to the substructures of a merovingian villa attributed to Clotaire I, the son of Clovis, according to some unconfirmed assumptions.

The site dominates the Ourcq Valley, on a terrace housing the village cemetery. Until 2011, it retained centenary graves, including that of a "Consul of Portugal in Bahia", destroyed during a communal recovery procedure initiated in 2005. An accidental discovery in the 1930s had also revealed some thirty neolithic skulls, which are now unsurely located in the enclosure. Nearby, the presbytery (attested as early as 1766) and its terraced orchard complete this historic landscape, marked by the transformations of the 19th and 20th centuries.

The church inspired artists, such as painter Fernand Pinal, seduced by his "Romanesque simplicity" and bucolic setting on the banks of Ourcq. The photographer Jean-Marie Petit points to the rarity of his apse covered with lauzes, which is described as "receiving". These artistic testimonies highlight a discreet but emblematic heritage of the Soissonnais.

Ranked among the region's oldest redent buildings, the St. Martin's Church in Breny embodies both the medieval heritage and the superimposed historical strata, from the Merovingians to the 20th century. Its classification in 1921 and the protection of its funerary slabs underline its heritage value, between architecture, archaeology and local memory.

External links