Construction of Romanesque parts fin XIIe - début XIIIe siècle (≈ 1325)
Similar hats to Cambayrac, late style.
XIXe siècle
Architectural changes
Architectural changes XIXe siècle (≈ 1865)
Addition of the bell tower and coated facade.
1924
Creation of stained glass windows by Henri Gesta
Creation of stained glass windows by Henri Gesta 1924 (≈ 1924)
Vitreux today exhibited in the gallery.
13 janvier 1993
Registration for Historic Monuments
Registration for Historic Monuments 13 janvier 1993 (≈ 1993)
Official protection of the building and its elements.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box AP 184): Registration by decree of 13 January 1993
Key figures
Henri Gesta - Glass artist
Author of stained glass windows dated 1924.
Origin and history
The Saint-Martin-de-Caïx church, located in the hamlet of Caïx on the town of Luzech (Lot), is a Romanesque building whose stylistic capitals evoke those of the church of Cambayrac. These architectural elements, late for Romanesque art, could date from the late twelfth or early thirteenth century. The building, with a single nave and a semicircular apse, was partially modified in the 19th century, notably by the addition of a bell tower and a western facade coated with false apparatus.
The church was listed as historic monuments on 13 January 1993 for its heritage interest, including furniture referenced in the Palissy base. Its interior is characterized by a nave covered in frame, an apse arched in cul-de-four, and a span of choir in broken cradle. Two half-columns divide the nave into three spans. The stained glass windows, made by Henri Gesta in 1924, have been laid and are now exhibited in the western gallery.
The monument illustrates the architectural evolution of the rural churches of Quercy, combining late Romanesque elements and later developments. Its bell tower-peigne and its Gothic door to the ressalt bear witness to functional and aesthetic adaptations over the centuries. The facade, with its false device coating, reflects local practices of restoration in the 19th century, when many churches were redesigned to meet the liturgical needs and aesthetic standards of the time.
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