Construction of the apse and Romanesque portal vers 1150 (≈ 1150)
Corbellation and carved models inspired by Sainte-Croix.
1610
Font of the bell tower
Font of the bell tower 1610 (≈ 1610)
Still in place in the current bell tower.
XVIe siècle
Addition of the north side
Addition of the north side XVIe siècle (≈ 1650)
Expansion of the main nave.
XIXe siècle
Major restoration and additions
Major restoration and additions XIXe siècle (≈ 1865)
South side, vaults, bell tower and painted decor.
26 février 2001
Historical monument classification
Historical monument classification 26 février 2001 (≈ 2001)
Registration of the entire church.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church in total (Cd. AH 46): registration by decree of 26 February 2001
Key figures
Information non disponible - No character named in the sources
The texts do not cite any specific historical actors.
Origin and history
The Saint-Martin de Cambes church, located in the Gironde department in New Aquitaine, is a Catholic building dating back to the 12th century. It initially depended on the Abbey of Sainte-Croix in Bordeaux, as evidenced by the Romanesque remains still visible today: a heptagonal apse, a western portal and its corbellation, exceptionally well preserved. These elements, dated about 1150, illustrate the architectural influence of the mother abbey, notably through the fifteen carved modillons and capitals of the facade, mixing moral symbols and plant or fantastic motifs (such as the mermaid or the man-bird).
The present structure of the church is the result of several construction and restoration campaigns. The main nave, completed by a three-sided apse, is flanked by low-sides added to distinct periods: the north side in the sixteenth century and the south side in the nineteenth century, the latter reproducing the style of the first. The dogive vaults, also dating from the 19th century, now cover the three ships. The bell tower, built during the same century, houses a bell of 1610, while a painted decoration adorns the choir, probably made between the late seventeenth and early nineteenth centuries. These transformations reflect the successive adaptations of the building to the liturgical and aesthetic needs of each era.
The Romanesque portal, although redesigned in the 19th century, retains a sculpted program rich in symbols. The north and south capitals illustrate moralizing scenes: a man listening to snakes (the allegory of sin) and raptors drinking in the chalice (the sacrilegious representation of the Eucharist). The corbellation, with its figurative patterns, served as visual support for the faithful, reminding them of their sinful status and the importance of repentance. These elements, combined with the vegetal cornice, underline the educational and spiritual role of the church in the Middle Ages.
Classified as historical monuments in 2001, the Church of Saint Martin in Cambes embodies both a Romanesque and a post-medieval heritage. Its history reflects the links with the Bordeaux abbey, the architectural evolutions (addition of the coasts, reconstruction of the bell tower) and the preservation of medieval elements despite the restorations. Today, it remains a testimony of religious and artistic practices in Gironde, from the twelfth to the nineteenth centuries.
Avis
Veuillez vous connecter pour poster un avis