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Heritage classified

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Origin and history

The church Saint-Martin de Lagery, located in the Marne department in the Grand Est region, finds its origins in the 12th century. The oldest parts, such as the main gate and the triumphal arch, date from this period. The latter features carved capitals, including a southern pile decorated with rare figurative sculptures, perhaps re-used. The building, initially under the influence of Bishop Manassès II of Reims as early as 1100, was enlarged in the 13th century by the inhabitants, especially in the choir and chancel in 1270.

Over the centuries, the church has experienced several major works. In 1502, the structure of the bell tower was rebuilt thanks to a gift from the inhabitants, while in 1623 Claude Thiriel, local lord, financed the renovation of the high altar. A major restoration was undertaken in 1783 to take over the tower and the gate. The building consisted of four chapels dedicated to the Sainte-Vierge, Saint Sebastian, Saint Bon and Saint Isidore (seigneurial chapel). World conflicts of the 20th century also left their mark: repairs in 1922 and 1927 for the damage of the First War (roof, vault, stained glass), then in 1943 for the stained glass windows during the Second.

The architecture of the church combines Romanesque elements, such as the rectangular pillars of the nave and the windows, with unique features. Its bell tower, located above the south side, is a rarity. Inside, frescoes from the 14th and 15th centuries stand alongside classified furniture: a 14th-century funeral slab, a 17th-century pulpit to preach and a 16th-century window. The bells, melted in 1836 by young Cauchois, carry inscriptions detailing their godfathers, reflecting the community life of the time.

Classified as a Historical Monument by decree of 25 August 1920, the church now belongs to the municipality of Lagery. Its history, marked by local donations and successive restorations, illustrates the inhabitants' attachment to this heritage. The work of the 20th century, though necessary, was relatively limited, thus preserving the authenticity of a building that has traversed nearly nine centuries of Champagne history.

The sources available, including the studies of Franck Tourtebatte (1998) and Jean-Pierre Ravaux (1984), underline the importance of this church in the Romanesque landscape of the Ardre Valley. His plan, sculptures and furniture make him a privileged witness of medieval and modern religious art in Champagne, now accessible to the public under the responsibility of the municipality.

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