Construction of the choir XIIe siècle (≈ 1250)
Romanesque chorus in flat bedside flint.
Début XVIe siècle
Reconstruction of the building
Reconstruction of the building Début XVIe siècle (≈ 1604)
After the Hundred Years War.
XVIIIe siècle
Adding sacristy
Adding sacristy XVIIIe siècle (≈ 1850)
Extension and decorative enrichment.
8 novembre 1996
Historical monument classification
Historical monument classification 8 novembre 1996 (≈ 1996)
Registered by ministerial decree.
XXe siècle
Missing the porch
Missing the porch XXe siècle (≈ 2007)
Wood hook destroyed.
2016
Establishment of an association
Establishment of an association 2016 (≈ 2016)
For the preservation of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (cad. AB 49): registration by order of 8 November 1996
Key figures
Roger de Bières - Defunt represented by a lier
Gissant dated 1270 in the church.
Origin and history
The church of Saint-Martin de Moisville, located in the department of Eure in Normandy, is a Catholic building whose origins date back to the 12th century for the choir, while its major reconstruction dates back to the first half of the 16th century, after the ravages of the Hundred Years War. This monument, marked by an architecture in masonry of flint, is distinguished by an interior entirely panelled, with the exception of the ground, and houses a remarkable medieval gissant, that of Roger de Bières, who died in 1270. These elements make it a rare testimony of Norman religious art throughout the centuries.
Ranked among historical monuments since 1996, the church has undergone notable changes, such as the addition of a sacristy in the 18th century, when its interior decor was enriched. However, a wooden porch, present until the twentieth century, has now disappeared. Humidity is currently threatening its decors, pushing a local association, founded in 2016, to work for its preservation. This heritage reflects both the region's historical upheavals and communities' commitment to their religious heritage.
The exterior appearance of the church, described as banal, contrasts with the richness of its interior, where the integral panelling and furniture elements, like the gisser, attract attention. The sacristy of the 18th century, assistant to the east, completes this architectural ensemble. Available sources, including Wikipedia and Monumentum, highlight its heritage importance, while noting the contemporary challenges associated with its conservation, including the work needed to address the damage caused by moisture.
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