Structural data 1528–1542 (≈ 1535)
South side and broken cradle
1520–1612
New Renaissance construction
New Renaissance construction 1520–1612 (≈ 1566)
Three sandstone vessels, trilobed bedside
XIXe siècle
Adding sacristy
Adding sacristy XIXe siècle (≈ 1865)
North side of the chapel
27 décembre 1996
Historical monument classification
Historical monument classification 27 décembre 1996 (≈ 1996)
Full protection of the building
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (cad. AB 202): Order of 27 December 1996
Key figures
Richard II de Normandie - Duke of Normandy
Mention the church in 1026
Guillaume Lesselier - Organ factor
Ranked organ buffet (1628)
Yves Bottineau-Fuchs - Art historian
Author of a monograph (2000)
Origin and history
The Saint-Martin church of Veules-les-Roses, dedicated to Saint Martin, is mentioned for the first time in 1026 in a charter of Richard II of Normandy granted to the Abbey of Fécamp. No vestiges of this time remain today. The building was rebuilt in the 13th century, but only the tower resisted the destruction of the Hundred Years War, marking the end of this first architectural phase.
The present church, erected between 1520 and 1612, presents a nave with three sandstone vessels, with a three-sided bedside, typical of the transition between Gothic and Renaissance. The frame, dated 1528 and 1542 for the south side, is based on carved piles combining italian motifs, exotic masks and maritime references, reflecting the local identity. The sacristy, added in the 19th century, completes the whole.
Ranked a historic monument in 1996, the church houses remarkable furniture: polychrome wooden statues (XVI century), a stone tomb (early 17th century), and an organ buffet by Guillaume Lesselier (1628). These elements illustrate its central role in religious and community life, from the Middle Ages to the modern era.
The historical sources also underline its link with the pilgrimages and the maritime vocation of the village, visible in the decorations of the piles. A parish monograph (Yves Bottineau-Fuchs, 2000) and academic articles deepen his study, particularly on figurative batteries, unique in Normandy.
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