First entry 1305 (≈ 1305)
First written trace of the church.
1639
Destruction of the building
Destruction of the building 1639 (≈ 1639)
Destroyed to strengthen fortifications.
1677
Completion of reconstruction
Completion of reconstruction 1677 (≈ 1677)
New church built on site.
2e moitié du XIXe siècle
Renovation of the decor
Renovation of the decor 2e moitié du XIXe siècle (≈ 1865)
Paintings and decorations.
26 mars 2003
Registration for historical monuments
Registration for historical monuments 26 mars 2003 (≈ 2003)
Protection of interior decor.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Cd. AK 247): inscription by decree of 26 March 2003
Key figures
Philippe le Hardi - Duke of Burgundy
Legend of crown thorns.
Louis IX - King of France
Suspected source of relics.
François Boher - Sculptor
Author of the Saint Mathieu group.
Origin and history
The church of Saint-Mathieu in Perpignan, first mentioned in 1305, was destroyed in 1639 for military reasons linked to the fortifications of the Palace of the Kings of Mallorca. A new building, completed in 1677, replaced it on the same site. This unique nave church, flanked by side chapels, reflects a sober architecture typical of the Baroque era.
In the 19th century, the church underwent a major transformation of its interior decoration, with paintings and a decoration redone in a more modern style. Among its notable features are an 18th-century organ buffet, a bentier decorated with animal sculptures, and a monumental group of Saint Mathieu et l'ange (1803) by François Boher. The building also houses the chapel of St.Epine, preserving four relics linked to the crown of Christ.
The church has been listed as historical monuments since 2003 for its interior decoration. His history is marked by legends, such as that of the thorns of the crown of Christ, associated with Philip the Hardi and Louis IX. These relics, mentioned in 1582, add a mystical dimension to this emblematic place of worship of Perpignan.
Located on Rue Grande la Monnaie, near the Palace of the Kings of Mallorca, the church gives its name to the surrounding district. Its architecture, combining brick vaults and false-transept, illustrates the successive adaptations of a religious building anchored in local history.
The church furniture, including 18th and 19th century works, bears witness to its artistic evolution. The organ buffet, in particular, is a remarkable example of the craftsmanship of the period, while 19th century paintings reflect the decorative tastes of this period.
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