First entry 1275 (≈ 1275)
Church quoted in the archives.
vers 1700
Vessel and south side
Vessel and south side vers 1700 (≈ 1700)
Major expansion of the building.
début XVIIe siècle
South Chapel
South Chapel début XVIIe siècle (≈ 1704)
Construction of the chapel.
1777
North coast
North coast 1777 (≈ 1777)
Added the north side.
1870
Bell tower arrow
Bell tower arrow 1870 (≈ 1870)
Directed by Paillot.
2002
MH classification
MH classification 2002 (≈ 2002)
Full registration.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church, as well as the cemetery wall (Box AB 220): inscription by order of 27 December 2002
Key figures
Paillot - Architect
Author of the arrow (1870).
Jacquin - Architect
Contributor to the work.
Gabiot - Architect
Contributor to the work.
Origin and history
The church of Saint-Maurice de Cressia, mentioned in 1275, embodies the architectural evolution of the rural churches of Jura. His central ship and his choir, vaulted in a cradle, as well as his sides covered with arched vaults, combine late Romanesque influences (bellowed vaults) with later additions. This monument reflects a rare stylistic persistence, where medieval techniques coexist with 17th and 18th century developments.
The building spanned several centuries: the southern chapel dates from the beginning of the seventeenth century, while the central ship and the south side were erected around 1700, followed by the north side in 1777. The bell tower arrow, added in 1870 by architect Paillot, marks the last major transformation. Together, including the cemetery wall, was inscribed in the Historical Monuments in 2002 for its representative character and stylistic unit.
Architects Jacquin, Gabiot and Paillot successively helped shape this building, combining local know-how and adaptations to liturgical needs. The communal property emphasizes its anchoring in village life, while its location in Cressia, Jura, makes it a witness to the constructive traditions of Franche-Comté. The accuracy of the vaults and the modest materials used illustrate the adaptation of religious models to the resources available in rural areas.
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