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Church of Saint Memmie de Baconnes dans la Marne

Patrimoine classé
Clocher en bâtière
Eglise romane et gothique
Marne

Church of Saint Memmie de Baconnes

    11 Rue de l'Église
    51400 Baconnes
Église Saint-Memmie de Baconnes
Église Saint-Memmie de Baconnes
Église Saint-Memmie de Baconnes
Église Saint-Memmie de Baconnes
Église Saint-Memmie de Baconnes
Église Saint-Memmie de Baconnes
Église Saint-Memmie de Baconnes
Église Saint-Memmie de Baconnes
Église Saint-Memmie de Baconnes
Église Saint-Memmie de Baconnes
Église Saint-Memmie de Baconnes
Église Saint-Memmie de Baconnes
Crédit photo : Garitan - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1900
2000
XIIe siècle
Initial construction
1568
Bell font
20 décembre 1920
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church: by decree of 20 December 1920

Key figures

Memmie de Châlons - Holy patron Dedication of the church, legendary bishop.
Thomas Martin - Curé de Baconnes (1568) Mentioned on the bell as master.
Rémi Charpentie - Local donor or notable Name engraved on the bell.
Domance Francoise Catherine Raulet - Suspected donor Name on the bell.

Origin and history

The church Saint-Memmie de Baconnes, located in the Marne department in the Grand Est region, is dedicated to Memmie de Châlons, saint patron saint local. Ranked a historic monument in 1920, it has a massive structure, built of chalk and stone tiles. Its architecture combines archaic Romanesque elements (XII century) with later additions, such as the vaulted chapels. The nave, devoid of low-sides, is characterized by its simplicity, while the chorus in cul-de-four and the reduced abside reveal a marked Romanesque influence, with windows in full hanger and carved capitals.

The transept rests on four massifs of columns with neat capitals, supporting an atypical cross. The arms of the transept, transformed into small chapels, are illuminated by an oculus and a Romanesque window. The large, crushed bell tower houses a 400 kg bell dating from 1568, engraved with the names of master Thomas Martin (curé), Rémi Charpentie, Domance Francoise Catherine Raulet, and Katrine, probably a donor or a baptized one. These inscriptions testify to the communal anchoring of the building, between worship and village life.

The western gate, sober, is limited to a door in the middle of a hanger surmounted by an oculus, reflecting the austerity of the whole. The bays of the tower, unevenly distributed (geminated to the north, simple elsewhere), emphasize the heterogeneity of the construction campaigns. The building, owned by the municipality, thus embodies eight centuries of religious and architectural history, between Romanesque tradition and local adaptations.

External links