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Church of Saint-Nicolas de Saint-Nicolas des Motets à Saint-Nicolas-des-Motets en Indre-et-Loire

Patrimoine classé
Patrimoine religieux
Eglise
Indre-et-Loire

Church of Saint-Nicolas de Saint-Nicolas des Motets

    1-5 Rue de la Poste
    37110 Saint-Nicolas-des-Motets
Église Saint-Nicolas de Saint-Nicolas-des-Motets
Église Saint-Nicolas de Saint-Nicolas-des-Motets
Église Saint-Nicolas de Saint-Nicolas-des-Motets
Église Saint-Nicolas de Saint-Nicolas-des-Motets
Église Saint-Nicolas de Saint-Nicolas-des-Motets
Église Saint-Nicolas de Saint-Nicolas-des-Motets
Église Saint-Nicolas de Saint-Nicolas-des-Motets
Église Saint-Nicolas de Saint-Nicolas-des-Motets
Église Saint-Nicolas de Saint-Nicolas-des-Motets
Église Saint-Nicolas de Saint-Nicolas-des-Motets
Église Saint-Nicolas de Saint-Nicolas-des-Motets
Église Saint-Nicolas de Saint-Nicolas-des-Motets
Crédit photo : GrandCelinien - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIIe siècle
First mention of a Romanesque church
XVe siècle
Construction of the current church
XVIe siècle
Making murals
1600-1699
Developments and drills
1er mars 1966
Historical monument classification
1996
Restoration of frescoes
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Box B 489): Order of 1 March 1966

Key figures

Mammès de Césarée - Holy martyr Polychrome wooden statue present.
Saint Nicolas - Church patron Dedication of the religious building.
Saint Michel - Sculpted representation Get the front of the gate.

Origin and history

Saint-Nicolas de Saint-Nicolas-des-Motets Church, located in the Indre-et-Loire department in the Centre-Val de Loire region, is a Catholic parish building dedicated to Saint Nicolas. Although mostly built in the 16th century, it succeeds a Romanesque church mentioned in the 12th century in local chronicles. The transformations, like the drilling of bays, continued until the seventeenth century, reflecting the architectural and religious evolutions of the time.

The church presents a sober architecture, composed of a two-span nave and a choir without transept, separated by a third-point arch. Its classical orientation (nave to the west, choir to the east) respects the cannons of Catholic religious buildings. The western Renaissance-style portal features a partial inscription probably taken from Timothy's First Epistle, while 16th-century murals, restored in 1996, adorn the lateral walls of the choir and nave. These frescoes, damaged during the religious wars, testify to the religious conflicts of the time.

The church furniture includes remarkable elements, such as a polychrome wooden statue of Mammès de Caesarea, as well as a 17th century Adoration of the Magi inspired by Rubens. These works, classified as historical monuments in 1966 with painted decoration, highlight the artistic and spiritual richness of the place. The flat bedside of the choir, illuminated by 17th century windows, and the third-point arcade separating the nave from the choir, probably prior to the 15th century, recall the historical strata of the building, mixing Romanesque heritage and Gothic or reborn additions.

The church, owned by the municipality, is open to the public and retains a central role in the local heritage. Its Renaissance portal, adorned with two angels wearing a shield and surmounted by a representation of Saint Michael terrorizing the dragon, illustrates the influence of ancient and Christian motifs during this period. The chronicles and legal protections ( 1966 classification) attest to its historical and cultural importance in the Tourangelle region.

External links