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Church of Saint Omer à Lillers dans le Pas-de-Calais

Church of Saint Omer

    148 Rue du Chapitre
    62190 Lillers
Ownership of the municipality
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Eglise Saint-Omer
Crédit photo : Havang(nl) - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1800
1900
2000
1125–1135
Construction of college
1875
Historical Monument
1971
West façade collapsed
2014
Restoration of stained glass windows
24 octobre 2022
Funeral of Lola Daviet
Aujourd'hui
Aujourd'hui

Heritage classified

Church: ranking by list of 1875

Key figures

Wenemar - Lord of Lillers Church commander after a pilgrimage to Rome.
Saint Omer - Seventh century bishop Boss of Artois and Flanders, dedication.
Camille Enlart - Art historian (1862–1927) Date of construction of the 12th century.
Pierre Héliot - Architect and historian Highlights Norman influences in architecture.
Hans Reinhardt - Art historian (1902–1984) Compare the choir to La Charité-sur-Loire.

Origin and history

The Collège Saint-Omer, located in Lillers, Pas-de-Calais, is a Romanesque church built between 1125 and 1135 on pre-existing 11th century foundations. It was built by Wenemar, Lord of Lillers, upon his return from a pilgrimage to Rome, and dedicated to Saint Omer, Bishop Apostle of Artois and Flanders in the seventh century. This monument, one of the last Romanesque buildings in the region, is distinguished by its imposing size, the largest in northern France (Nord-Pas-de-Calais). It housed a famous pilgrimage around Christ of the Holy Blood, a statue of the twelfth century object of devotion.

The church underwent restorations in the 16th and 17th centuries, before being classified as a Historic Monument in 1875. A partial collapse of its western facade in 1971 necessitated reconstruction. Its architecture combines Burgundian influences (choir inspired by La Charité-sur-Loire) and Norman influences (nave and elevation), with a Latin cross, a walk-through, and capitals in "water leaves". The choir houses a crowned 12th century crucifix, 18th century woodwork, and a funeral slab of 1639. The stained glass windows, restored in 2014, represent Saint Roch, Saint Thérèse and the Annunciation.

The college depends on the diocese of Arras and still hosts offices, including two Sunday Masses a month. It was also used for recent events, such as the funeral of Lola Daviet in October 2022. Open to the public during the Journées du Patrimoine, it embodies a major Romanesque heritage, witness to the religious and architectural history of Hauts-de-France.

Historical debates focused on its origins: Camille Enlart (1895) rejected a construction in 1043, favoring the twelfth century, while Pierre Heliot emphasized Norman influences in the nave and choir. Hans Reinhardt (1902–1984) compared his choir to that of La Charité-sur-Loire, finished around 1107. These analyses highlight its role as a stylistic crossroads between Burgundy, Normandy and Flanders.

External links