Initial construction XVIe siècle (≈ 1650)
Main date of the original building.
XVIIIe siècle
Reconstruction of the pinion
Reconstruction of the pinion XVIIIe siècle (≈ 1850)
Major architectural modification.
23 octobre 1961
Historical monument classification
Historical monument classification 23 octobre 1961 (≈ 1961)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box A 64): Order of 23 October 1961
Key figures
Jacques Villon - Glass artist and painter
Author of stained glass and woodwork.
Origin and history
The Saint-Ouen Church is a Catholic religious building located in Boulevilliers, in the department of Eure, Normandy. Mainly dating from the 16th century, it underwent notable changes, including the reconstruction of its gable in the 18th century. The building is distinguished by its location outside the heart of the village, at the address 1 rue du Hameau or 9 The Church, depending on the sources.
Classified as historical monuments since 23 October 1961, Saint-Ouen Church is recognized for its architectural and artistic heritage. It houses woodwork and stained glass windows created by Jacques Villon, an artist associated with the cubist movement. These elements contribute to its historical and cultural interest, while reflecting the stylistic evolutions of the construction periods.
The building belongs to the communal property and is referenced in the Mérimée base under the code INSEE 27098. Although the practical information on his visit is not detailed in the sources, his classification and artistic characteristics make him a notable place of Norman heritage. The accuracy of its geographical location is assessed as satisfactory, facilitating its identification.
The historical context of Bouchilliers and its surroundings, during the sixteenth, seventeenth and eighteenth centuries, is marked by a rural society where the church plays a central role. It serves as a place of worship, community gathering and symbol of local identity. Architectural changes, such as the reconstruction of the gable, may reflect structural needs or changes in the religious and artistic practices of the time.
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