Origin of the church VIIIe siècle (≈ 850)
First foundation linked to Saint Ouen.
IXe siècle
Destruction by the Normans
Destruction by the Normans IXe siècle (≈ 950)
Raids Vikings destroyed the first building.
XIe siècle
Norman reconstruction
Norman reconstruction XIe siècle (≈ 1150)
Nef Romanesque and northern collateral added.
XIIIe siècle
Gothic choir and frescoes
Gothic choir and frescoes XIIIe siècle (≈ 1350)
Reconstruction of the choir and murals.
XIVe-XVe siècles
Ruins and partial abandonment
Ruins and partial abandonment XIVe-XVe siècles (≈ 1550)
Hundred Years' War damaged the building.
1557-1577
Protestant Temple
Protestant Temple 1557-1577 (≈ 1567)
Church transformed during the Wars of Religion.
XVIIe siècle
Baroque altarpiece and badigeon
Baroque altarpiece and badigeon XVIIe siècle (≈ 1750)
Masking frescoes and adding an altar.
7 décembre 1914
Historical Monument
Historical Monument 7 décembre 1914 (≈ 1914)
Official protection of the building.
1980-1981
Restoration of the choir
Restoration of the choir 1980-1981 (≈ 1981)
Reopening for cultural events.
2003-2006
Restoration of frescoes
Restoration of frescoes 2003-2006 (≈ 2005)
Presentation of medieval paintings.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (rests): Order of 7 December 1914
Key figures
Saint Ouen - Bishop of Rouen (640-684)
Church patron, miraculous relics.
Dagobert - King of the Franks (VIIth century)
Contemporary of Saint Ouen in his court.
Gédéon Le Sens - Curé de Périers (named 1642)
Probable sponsor of the baroque altarpiece.
Origin and history
The church of Saint-Ouen de Périers-sur-le-Dan, located in Calvados in Normandy, has its origins in the eighth century. She was named in honour of Saint Ouen, bishop of Rouen (640-684), whose relics were considered miraculous. The first building, built on a fish ridge, was destroyed in the 9th century during Norman raids. After the conquest of England in 1066, the Normans completed its reconstruction in the 11th century, adding a northern collateral and a green slate roof of the Cotentin.
In the 13th century, the choir was rebuilt in a Gothic style, with elements such as a thawed door and a trilobed credence. The walls were decorated with frescoes from the 14th century, illustrating the life of Saint Ouen. During the Hundred Years War (1337-1453), the church fell into ruins, losing its side. In the 16th century, it became a Protestant temple (1557-1577) before returning to the Catholics, who masked the frescoes under a white padigeon in the 17th century. In 1791, the parish was attached to Mathieu after the flight of the refractory priest.
Ranked a Historic Monument in 1914, the church was searched in 1929 and 1970, revealing Merovingian remains. Restorations in the 1980s allowed the choir to reopen for cultural events. Its architecture combines Romanesque elements (nef of the 11th century, northern arcade) and Gothic elements (chœur of the 13th century, ogival vaults). The 17th-century altarpiece, adorned with a painting depicting the Adoration of the Magi, and the 13th and 14th-century wall paintings (restored in 2003-2006) make this a rare testimony of Norman medieval art.
Today, the church, partially in ruins, retains an open nave with apparent walls and a closed choir, housing some of the oldest and most legible frescoes in Normandy. Its wall bell tower, designed for two bells, and its architectural details (buttress, carved capitals) illustrate the stylistic evolutions between the novel and the Gothic. The Merovingian and Carolingian remains discovered on the site underline its historic importance for more than a thousand years.
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