Initial construction XIIe siècle (≈ 1250)
Romanesque origin of the religious building.
XVIe siècle
Major renovations
Major renovations XVIe siècle (≈ 1650)
Gothic or Renaissance architectural changes.
XVIIIe siècle
Conventional additions
Conventional additions XVIIIe siècle (≈ 1850)
Embellishments or baroque repairs.
5 janvier 1962
Historical Monument
Historical Monument 5 janvier 1962 (≈ 1962)
Registration by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church of Saint-Ouen-de-Mancelles (Box F 266): inscription by decree of 5 January 1962
Key figures
Information non disponible - No character cited
Sources do not mention any related historical actors.
Origin and history
The Saint-Ouen church of Saint-Ouen-de-Mancelles is a religious monument located in Gisay-la-Coudre, in the department of Eure in Normandy. Its origins date back to the 12th century, with significant modifications and additions in the 16th and 18th centuries. This building thus illustrates several architectural phases, reflecting the stylistic and technical evolutions of these eras. The building is listed in the Historical Monuments Inventory by order of 5 January 1962, highlighting its heritage value and local importance.
The location of the church, at 3 Impasse de Saint-Ouen de Mancelles, is documented in the Mérimée and Monumentum bases. Owned by the municipality of Gisay-la-Coudre, it is associated with Insee code 27049 and depends on the district of Évreux. Although sources mention GPS coordinates and an approximate address, the accuracy of its location is assessed as satisfactory a priori (level 6 of 10). No information is available on its current accessibility, visit times or possible services (rent, guest rooms).
Medieval churches like Saint-Ouen played a central role in the life of Norman rural communities. In the 12th century, they served as a place of worship, assembly and territorial marker, often built or redesigned under the influence of local lords or neighboring abbeys. The additions of the 16th and 18th centuries may reflect evolutionary liturgical needs, post-conflict reparations (such as the Hundred Years War or the Wars of Religion), or beautifications related to the agricultural prosperity of the region. In Normandy, religious architecture of this period often blends Romanesque, Gothic and classical elements, testifying to artistic and social transitions.
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