Construction of church 1753–1760 (≈ 1757)
Replaces the old damaged church.
1767
Completion of the dome
Completion of the dome 1767 (≈ 1767)
Final stage of work.
1779
Installation of organ
Installation of organ 1779 (≈ 1779)
Work by Jacques Besançon, classified.
1793
Plate of guillotines
Plate of guillotines 1793 (≈ 1793)
Memory of the Petite Vendée.
25 janvier 1990
MH classification
MH classification 25 janvier 1990 (≈ 1990)
Official protection of the monument.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box AI 17): Order of 25 January 1990
Key figures
Abbé Petit - Owner
Directs construction in the 18th century.
Étienne Bassignot - Owner
Collaborate in building.
Jacques Besançon - Organ factor
Created the organ in 1779.
Jean Le Moal - Painter
Renovates the decorations in 1950.
Origin and history
The church Saint-Pierre de Maîche, located in the Doubs department in Burgundy-Franche-Comté, was built between 1753 and 1760 to replace a building damaged during the Dix Ans war. Its dome, completed in 1767, crowns an architecture of Corinthian order with baroque influence, with an imposing nave of 42 meters long, symbolizing the religious and artistic ambition of the period. The church houses remarkable elements such as an organ of 1779 (classified in 1985) and the baptismal fonts of the eighteenth century (registered in 1984), witnesses to the local movable heritage.
Ranked a historic monument in 1990, the church also incorporates a memorial dimension with a plaque commemorating the 19 guillotines of the Petite Vendée (1793). His lateral altars, dedicated to Saint Michael (the patron saint of the parish) and Saint Modeste (whose shawl preserves the relics), reflect his central spiritual role. In 1950, painter Jean Le Moal renovated his decorations, adding a modern touch to this historic place.
Attached to the parish of the Plateau de Maîche (diocese of Besançon), the church illustrates the architectural and social evolution of the Franche-Comté. Its construction, conducted under the direction of Abbé Petit and Étienne Bassignot, is part of a post-conflict context where the reconstruction of religious buildings marked the resilience of communities. Today, it remains a symbol of local heritage, combining sacred art, historical memory and active parish life.
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