Origin of the site VIIIe-XIe siècles (≈ 1150)
First occupation and attested burials
Fin XIIe siècle
Construction of the tower tower
Construction of the tower tower Fin XIIe siècle (≈ 1295)
Romanesque expansion of the building
XVe-XVIe siècles
Reconstruction of the nave
Reconstruction of the nave XVe-XVIe siècles (≈ 1650)
Adding sidelines after wars
1840
Movement of the cemetery
Movement of the cemetery 1840 (≈ 1840)
Transformation of the immediate environment
1855
Construction of the bell tower
Construction of the bell tower 1855 (≈ 1855)
Paul Abadie and Amédée Lasmolles project
1925
Partial classification
Partial classification 1925 (≈ 1925)
Registration of the bell tower to the Historical Monuments
1988
Installation of stained glass windows
Installation of stained glass windows 1988 (≈ 1988)
Work by Raymond Mirande
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The former bell tower at the entrance of the choir: inscription by decree of November 21, 1925
Key figures
Paul Abadie - Architect
Designer of the bell tower-porch (1855)
Amédée Lasmolles - Architect
Collaborator in the 1855 works
Raymond Mirande - Glass artist
Author of stained glass (1988)
Léo Drouyn - Local historian
Studies on Merovingian Remnants
Origin and history
The church of Saint-Pierre de Bassens, located at the highest point of the plateau overlooking the Garonne, is located in the heart of the historic village where the old roads converge. Its origin dates back to at least the eighth century, as evidenced by archaeological excavations that revealed burials and a first construction. The current tower tower, characteristic of the Romanesque style, dates from the late twelfth century, when the building was enlarged and strengthened. Successive medieval conflicts marked its architecture, including the elevation and fortification of the bedside.
The nave and low side, rebuilt in the 15th and 16th centuries after war-related destructions, have rib vaults and carved capitals. Pastoral visits of the 17th and 18th centuries mention interior arrangements, such as the addition of a sacristy or the modification of altars. The cemetery originally surrounding the church was moved around 1840, marking a major transformation of its immediate environment. The major restorations of the 19th century, carried out by architects Paul Abadie and Amédée Lasmolles, have profoundly changed his appearance, with the construction of a new bell tower in 1855 and the reshaping of vaults, pillars and windows.
The storms of 1877 and 1883 partially damaged the bell tower, leading to restoration campaigns led by architects Cellier and Bergerot until 1899. In the 20th century, interior and exterior changes continued, including the installation of stained glass windows signed by Raymond Mirande in 1988. The interior decor was completely redesigned at the end of the 20th century, partially erasing the traces of previous eras. Today, the church preserves Romanesque elements (clocher-tour, base of the bedside) and Gothic elements (voûts, pillars), while bearing the marks of the 19th and 20th centuries interventions.
The building is part of a local historical context marked by the economic influence of Bordeaux from ancient times, then by the development of a medieval barony in Montferrand. The proximity of the Garonne River and the commercial routes facilitated the early establishment of a place of worship, which became the religious and social centre of the village. The excavations also revealed a nearby Merovingian necropolis, confirming the long-standing occupation of the site.
Partially classified at the Historic Monuments in 1925 for its former bell tower, Saint-Pierre Church illustrates the architectural evolutions and challenges of preserving a medieval heritage in an area marked by conflicts and urban transformations. Its bell tower, reinforced by committed columns and crowned with a masonry arrow, remains the most emblematic element of its Romanesque heritage.
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