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Saint-Pierre de Moulins-sur-Céphons Church dans l'Indre

Patrimoine classé
Patrimoine religieux
Eglise
Indre

Saint-Pierre de Moulins-sur-Céphons Church

    1 Place du Vieux Château
    36110 Moulins-sur-Céphons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1800
1900
2000
début XIIe siècle
Construction nave Saint-Blaise
1347
Construction nave Saint-Pierre
XIVe siècle
Reshaping of vaults
1868
Opening of berries
26 janvier 1927
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Church: registration by decree of 26 January 1927

Key figures

Artiste étranger (XIIe siècle) - Suspected Sculptor Author of the Norman capital portal.
Maire de Moulins-sur-Céphons (1868) - Initiator of work Open the bays between the naves.

Origin and history

The Saint-Pierre de Moulins-sur-Céphons church is an original historical monument, consisting of two adjoining buildings. The first, dedicated to Saint-Blaise, dates from the beginning of the 12th century and presents a nave of five vaulted bays in cradle, completed by a narrower choir. Its portal, adorned with an o-ring arching worn by columns with conical capitals "to the Norman", suggests the intervention of an artist foreign to the region. Only the first span preserves its original vault, the others having been redesigned in the 14th century, just like the choir.

In 1347, a second nave was built against the first, under the name of Saint Peter. The two spaces, initially separated, were joined in 1868 by two large open bays on the initiative of the mayor, unifying the last spans and choirs. The chapel of Saint-Blaise houses three 16th-century frescoes, including a Saint-Christophe dressed in the fashion of Francis I and a martyrdom of Saint-Sébastien represented at two periods. A fresco of the choir, dated from the end of the 15th century, as well as a 12th century bas-relief of the Virgin, also adorn the building.

Classified as a Historical Monument by decree of 26 January 1927, the church belongs to the commune. Its architecture thus combines Romanesque (portal, capitals) and Gothic (redesigns), while its painted decorations illustrate the artistic evolution between the Middle Ages and Renaissance. The accuracy of its location is estimated "a priori satisfactory", based on available data.

External links