Initial construction 2e moitié du XIIe siècle (≈ 1250)
Nef and original choir built.
1er quart du XIIIe siècle
Addition of the bell tower
Addition of the bell tower 1er quart du XIIIe siècle (≈ 1325)
Not originally planned, added to the nave.
dernier quart du XVe siècle
Wall paintings of the chapel of Sainte-Marguerite
Wall paintings of the chapel of Sainte-Marguerite dernier quart du XVe siècle (≈ 1550)
Annunciation and apostles painted with wetness.
vers 1500 (limite XVe-XVIe siècle)
Extension of the choir and chapel of Sainte-Marguerite
Extension of the choir and chapel of Sainte-Marguerite vers 1500 (limite XVe-XVIe siècle) (≈ 1650)
Commanded by the Lord of Tessonnières.
1868-1893
Works by Alfred Dauvergne
Works by Alfred Dauvergne 1868-1893 (≈ 1881)
Chapel of the Virgin and brick vault.
1912
Fire and repair
Fire and repair 1912 (≈ 1912)
Interior restoration after disaster.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Vaults of the North Chapel decorated with murals: classification by decree of 5 December 1908 - Church, with the exception of parts classified (Box F 978): inscription by decree of 14 April 1998
Key figures
Seigneur de Tessonnières - Sponsor
The chapel of Sainte-Marguerite was built around 1500.
Alfred Dauvergne - Departmental architect
Directs the work from 1868 to 1893.
Origin and history
The church Saint-Pierre de Pouligny-Saint-Pierre was built in the second half of the 12th century, with a nave of three spans and a choir of two spans. The bell tower, added to the 1st quarter of the 13th century, was not originally planned, as evidenced by a window walled above the gate. This bell tower, initially opened on three sides, saw its bays closed in the 15th century, when the church was covered with a broken cradle panelling, still visible in the attic.
In the 15th century, around 1500, the current choir was built as an extension of the old, while the chapel of Sainte-Marguerite, commanded by the Lord of Tessonnières, was backed by the north wall. Its dogive vaults, decorated with murals (Annunciation, Apostles) made in the last quarter of the 15th century, rest on carved caps representing human heads. The dominant colours (yellow ochre, red brown, blue) and motifs (crossed rubans, water leaves) illustrate the rural religious art of the period.
Between 1868 and 1893, the departmental architect Alfred Dauvergne carried out important works: construction of the chapel of the Virgin (two spans east of the chapel of Sainte-Marguerite), laying a brick vault under the window of the nave (1893), and modifications of the bell tower (openings walled after 1884 for the installation of the clock). A fire in 1912 led to a general interior renovation, marking the last major transformation of the building.
The church is singularized by its Romanesque decoration (crossed ribbons and human heads) and its Gothic furniture, like the vault with eight quarters of the chapel Sainte-Marguerite. The roofs, covered with tiles or slates, and the polygonal arrow of the slate bell tower complete to define its composite architectural character, reflecting nearly nine centuries of local religious history.
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