Construction begins vers 1440 (≈ 1440)
Building started, remains unfinished for a long time.
vers 1585
Closure and coverage
Closure and coverage vers 1585 (≈ 1585)
Church closed after 145 years of work.
1688
Major work of the 17th century
Major work of the 17th century 1688 (≈ 1688)
Wooden vaults and pendant keys added.
22 novembre 2011
Historical Monument
Historical Monument 22 novembre 2011 (≈ 2011)
Total protection of the building and its decorations.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (C 13) : classification by decree of 22 November 2011
Key figures
Information non disponible - No character cited
The source text does not mention any specific historical actors.
Origin and history
The Saint-Quentin de Montcavrel Church, listed as a Historic Monument in 2011, is an emblematic building of flamboyant art in the west of Pas-de-Calais. It began around 1440 and was closed and covered around 1585, but remained unfinished. Its original structure gathers the veins of the vaults on dais housing statues, while its capitals, typical of the 14th century, incorporate carved friezes from the beginning of the 15th century. The latter, historied, represent scenes of the life of the Virgin and the martyrdom of Saint Quentin, patron saint of the church.
From 1688 on, important work was undertaken, including the addition of wooden vaults decorated with pendant keys, also made of wood. These 17th century modifications complement the original Gothic architecture, while preserving its flamboyant character. The church thus embodies a stylistic transition between the late Middle Ages and the modern era, while reflecting the religious techniques and symbols of its time.
Located in Montcavrel (Hauts-de-France), this church belongs to the commune and is distinguished by its plan and its decorations, which bear witness to local know-how. Its total ranking in 2011 underscores its heritage value, both for its history and for its architecture. Historied friezes, in particular, offer a rare visual narrative, mixing Marian devotion and cult of the patron saint, Quentin, martyred under the Roman Empire.
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