Construction of the lower levels of the tower 2e moitié du XIIe siècle (≈ 1250)
First three levels of the tower.
1er quart du XIVe siècle
Medieval paintings and vaults
Medieval paintings and vaults 1er quart du XIVe siècle (≈ 1425)
Interior decorations and preserved vaults.
1776-1777
Reconstruction of the church
Reconstruction of the church 1776-1777 (≈ 1777)
Christiani project (not realized) and reconstruction.
1919
Addition of neo-roman levels
Addition of neo-roman levels 1919 (≈ 1919)
Two upper levels of the tower.
9 mai 1988
Registration for historical monuments
Registration for historical monuments 9 mai 1988 (≈ 1988)
Protection of the tower and paintings.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Complete tower including the wall painting of the Last Judgement on the north wall of the tower, on the ground floor (Box 2 60): inscription by order of 9 May 1988
Key figures
Christiani - Architect (summary)
Author of an unrealised project (1776).
Marcel Krieg - Local historian
Study on Romanesque capitals (2002).
Origin and history
The church of Saint-Remi d'Itterswiller, located in the Lower Rhine in the Grand East region, is a monument dating back to the 1st quarter of the 14th century, with major reconstructions in the 4th quarter of the 18th century (1777) and in the 1st quarter of the 20th century (1919). The present building, rebuilt in 1777 — perhaps by the architect Christiani, whose unrealized project of 1776 is preserved — incorporates an older tower. The lower three levels of this tower probably date from the 2nd half of the 12th century, while its two upper levels, of neo-Roman style, were added in 1919. The tower houses 12th-century sculptures and 14th-century murals, including a Last Judgment on the North Wall, classified among the protected elements.
The church was listed as historical monuments by order of 9 May 1988, especially for its entire tower and interior decorations. The property belongs to the town of Itterswiller. The building, located in the Route du Vin, illustrates the Alsatian architectural evolution, mixing medieval heritage, Baroque transformations and modern restorations. Sources also mention local studies, such as Marcel Krieg (2002), highlighting the importance of novel capitals in the region.
The site preserves traces of 14th century vaults and murals, testimonies of its spiritual and artistic role throughout the centuries. The accuracy of its location is estimated passable (level 5/10), with an official address recorded in the Merimée database. No information is available on its current accessibility (visits, rentals) or its contemporary non-cult use.
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