Initial construction XIe siècle (≈ 1150)
Romanesque and early nave portal
XIIIe siècle
Square defensive tower
Square defensive tower XIIIe siècle (≈ 1350)
Bell with trilobed openings
1641
Battle of the Marfée
Battle of the Marfée 1641 (≈ 1641)
Date engraved on the tower
1683
Repair of side naves
Repair of side naves 1683 (≈ 1683)
17th century windows
1740
Construction of the marble choir
Construction of the marble choir 1740 (≈ 1740)
Order of the priest Devillers
3 juin 1959
Historical Monument
Historical Monument 3 juin 1959 (≈ 1959)
Church and interior decoration protected
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church with its interior decoration, including altars (Box AB 86): by order of 3 June 1959
Key figures
Curé Devillers - Choir sponsor
Finished the altars in 1740
Mme Devillers (mère du curé) - Lord in part of Cheveuges
Partially financed the work
Jean Tobie - Teacher in Chaumont
Author of the book of reason
Origin and history
The church of Saint-Rémi de Cheveuges, located in the Ardennes (Great East), is a parish building dating back to the 11th century, with major transformations in the 13th, 16th and 17th centuries. Ranked a historic monument since 1959, it is distinguished by its 11th century defensive portal, with massive foothills, a machicolis and a carved tympanum depicting Christ and the Apostles. This portal, typical of primitive Romanesque art, served as a refuge for villagers and their animals during looting, illustrating the church's protective role in a region often threatened.
The square tower overlooking the choir, built in the 13th century, reaches 25 meters high and has trilobed openings and an ogival window, testifying to a vocation both religious and defensive. The two current bells, blessed in 1921, replaced those removed during the First World War. An inscription dated 1641 on the tower evokes the Battle of the Marfea, recalling the conflicts that marked local history. The nave, of Roman-Gothic transition, was partially destroyed and rebuilt later in the 17th century, as evidenced by the engraved dates (1683) above the side windows.
The choir, a Baroque masterpiece of the eighteenth century, was commissioned in 1740 by the parish priest Devillers, thanks to the financing of his mother, then "Lord in part" of Cheveuges. Made of marble and cut stone, it represents the Passion of Christ and harmonizes with a 16th century Gothic vault, 8 meters high. Modern stained glass (1958), illustrating the Six Days of Creation, and the stone baptismal fonts complete this rich ensemble, where local history, sacred art and war-related architectural adaptations blend together.
Among the remarkable elements are a 15th-century polychrome altar, partially hidden by the present covering, as well as a seigneurial tombstone near the choir, attributed to the Roucy family. The neo-Gothic chair (1864) and the communion grid (1830) reflect subsequent additions. The church, a communal property, embodies almost a thousand years of history, between worship, defense and community life in the Ardennes.
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