Construction of church XIIe siècle (début) (≈ 1215)
Romanesque building with angoumoisine influences.
1330
First written entry
First written entry 1330 (≈ 1330)
*Capella Sancti Roberti* quoted by the bishop of Angoulême.
1823
Municipal merger
Municipal merger 1823 (≈ 1823)
Union de Javerlhac and La Chapelle-Saint-Robert.
20 octobre 1920
MH classification
MH classification 20 octobre 1920 (≈ 1920)
Full protection of the church.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church of La Chapelle-Saint-Robert: by order of 20 October 1920
Key figures
Évêque d'Angoulême (1330) - Religious Authority
*Capella Sancti Roberti* in her archives.
Louis Aupy - Local archaeologist
Discoverer of the cave of Ormes (1892).
Origin and history
The church of Saint-Robert de la Chapelle-Saint-Robert, built in the early 12th century, has architectural features closer to the traditions of Angoumois than the Périgord. Its original plan includes a single nave extended by a transept, whose cross supports a bell tower with a polygonal dome. The semicircular, cul-de-four vaulted abside is flanked by two absidioles accessible by straight spans communicating with each other. The columns of the bays and western gate have carved capitals, while a staircase in square forebody serves the bell tower at the intersection of the nave and south arm of the transept.
Classified as a Historical Monument by decree of 20 October 1920, this Romanesque church bears witness to the medieval religious life around La Chapelle-Saint-Robert, mentioned in 1330 under the name Capella Sancti Roberti in the Episcopal archives of Angoulême. The village was structured around this building, before the merger in 1823 of the communes of Javerlhac and La Chapelle-Saint-Robert. The site, integrated with the Périgord-Limousin regional nature park, also retains traces of occupation as early as the Iron Age, as evidenced by the remains discovered in the cave of the Ormes at the end of the 19th century.
Architecturally, the church is singularized by its main apse and apsidioles preceded by straight spans forming a forechoir. These spaces communicate through steep passages, creating a rare internal circulation. The models of the capitals, though sober, and the dome on trunks of the cross reflect the regional artistic influences of the 12th century. The monument, owned by the commune, remains a preserved example of rural Romanesque art, anchored in a landscape of valleys (Bandiat, Doue) and characteristic forests of the green Perigord.
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