Donation to Tulle Abbey 1097 (≈ 1097)
The bishop of Cahors gave up the church.
1317
Creation of the bishopric of Tulle
Creation of the bishopric of Tulle 1317 (≈ 1317)
Meyronne became episcopal residence.
1495-1514
Reconstruction of the apse
Reconstruction of the apse 1495-1514 (≈ 1505)
Under Clement of Brillac, Bishop of Tulle.
1789
Become a parish church
Become a parish church 1789 (≈ 1789)
After the French Revolution.
1874-1881
Enlargement and reorientation
Enlargement and reorientation 1874-1881 (≈ 1878)
Modern nave and north-south modification.
21 juin 1952
Registration historical monument
Registration historical monument 21 juin 1952 (≈ 1952)
Protection of the old 15th-XVIe choir.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Former choir of the 15th and 16th became lateral chapel (Box A): inscription by decree of 21 June 1952
Key figures
Clément de Brillac - Bishop of Tulle (1495-1514)
Sponsor of reconstruction of the apse.
Pierre-Alfred Grimardias - Bishop of Cahors (1866-1896)
Weapons on the vault key.
Léon XIII - Pope (1878-1903)
Weapons carved in the apse.
Origin and history
The church of Saint Sulpice de Meyronne came into being in the Middle Ages, when the bishop of Cahors gave it in 1097 to the abbey of Tulle, which made it a priory. After the creation of the bishopric of Tulle in 1317, Meyronne became an episcopal residence, and the church then became part of a castral complex including a castle. This link with the local religious power marks its historical importance from this period.
At the turn of the 15th and 16th centuries, the apse was rebuilt under the impulse of Clement de Brillac, bishop of Tulle between 1495 and 1514, whose arms adorn a key to the vault. This architectural element bears witness to the influence of prelates on the transformations of the building. The building, initially castral chapel, evolves with its time, reflecting the flamboyant Gothic styles and subsequent adaptations.
The French Revolution changed its status: the church became parish. Between 1874 and 1881, it underwent a major expansion which changed its orientation (north-south) and reorganized its spaces. The former apse and first span become lateral chapels, while new vault keys integrate the weapons of Bishop Peter-Alfred Grimardias (1866-1896) and Pope Leo XIII. These 19th century additions illustrate its adaptation to modern cultural needs.
Ranked a historical monument in 1952, the church retains remarkable elements such as a statue of Christ on the cross and referenced baptismal fonts. Its hybrid architecture, combining medieval structures and neogothic extensions, makes it a unique testimony to the religious and architectural history of Quercy. Historiated vault key and carved capitals (original peche, animal motifs) highlight his rich iconographic heritage.
Originally dependent on the episcopal castle, the chapel opened directly on the courtyard of the mansion, probably replacing a construction of the tenth century. Its current plan is the result of the modern nave of 1881, designed by the architect Toulouse, which crosses the old building to make it a transept. The three-storey square bell tower, overtaking a vaulted porch of sexpartite warheads, and the exteriorized pentagonal choir recall its Gothic heritage.
Today, the church of Saint Sulpice is a communal property that embodies almost a millennium of history, from Benedictine origins to its contemporary parish role. Its inscription in historical monuments and its location in the nature park of the Causses du Quercy make it a major heritage site of Occitanie, attracting both its architecture and its anchoring in regional episcopal history.
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