Initial construction XIIe siècle (≈ 1250)
Building the church and its portal.
XVIIe siècle
Partial reconstruction
Partial reconstruction XVIIe siècle (≈ 1750)
Addition of furniture and restructuring.
22 juillet 1925
Registration of the portal
Registration of the portal 22 juillet 1925 (≈ 1925)
Classification to historical monuments.
15 juin 1978
Protection of furniture
Protection of furniture 15 juin 1978 (≈ 1978)
Registration of religious objects (statues, altars).
10 mai 2006
Reliquary arm classification
Reliquary arm classification 10 mai 2006 (≈ 2006)
Transfer to Guéret Museum.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The portal: registration by decree of 22 July 1925
Key figures
Jean-Prosper Florence - Craft glassware
Author of stained glass windows (XIX-XXe).
Jules Guichard - Painter (XIXe)
Author of a table (1844).
Carlo Maratta - Italian painter (XVIIe)
Inspiration of Guichard's painting.
Origin and history
Saint-Sulpice Church, located in Saint-Sulpice-le-Guérétois in the Creuse department (New Aquitaine), is a religious building built in the 12th century. Only its portal, a polyloby regional style decorated with harpsichords armed with balls, remains the primitive building. This rare portal was listed as historic monuments on July 22, 1925, marking its exceptional heritage value.
The church was largely rebuilt in the 17th century, when most of its present interior elements were added. Among these elements are a variety of religious furniture, including altar stands, a tabernacle, exhibition dais, and statuettes dating back to that time. These objects, along with a 13th-century copper reliquary arm, were protected as historical monuments, illustrating the artistic and historical richness of the site.
The reliquary arm, known as "Saint Sulpice", classified in 2006, is now preserved at the Museum of Art and Archaeology of Guéret. The church's stained glass windows, made in the late 19th and early 20th centuries by Jean-Prosper Florence's tourangeau workshop, as well as a painting by Jules Guichard (1844) inspired by Carlo Maratta, complete this heritage. The building, located in the heart of the village opposite the town hall, remains a central symbol of the local community.
The church is also distinguished by its leather antependium of the late seventeenth or early eighteenth century, as well as by three wooden statues representing the Virgin with the Child (17th century), Saint John the Baptist (18th century) and a holy bishop (18th century). These elements, inscribed in 1978, reflect the artistic and devotional evolution of the region throughout the centuries.
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