Crédit photo : Benoît Prieur (1975–) Autres noms Nom de naissance - Sous licence Creative Commons
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Timeline
XIXe siècle
Époque contemporaine
1900
2000
1874
Destruction of the old church
Destruction of the old church 1874 (≈ 1874)
Former church destroyed, partially reused materials.
1874-1875
Construction of the current church
Construction of the current church 1874-1875 (≈ 1875)
New medieval building built by Thoubillon.
14 juin 2012
Registration for Historic Monuments
Registration for Historic Monuments 14 juin 2012 (≈ 2012)
Protection of the church and its parcel.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The church and its seat plot, in full (Box A 536): inscription by order of 14 June 2012
Key figures
Jean-Marie-Emile Thoubillon - Architect
Manufacturer of the church in 1874-1875.
Claudius Barriot - Painter-Decorator
Author of part of the interior decorations.
Origin and history
The Sainte-Euphémie church of Sainte-Euphémie, located in the Ain department in the Auvergne-Rhône-Alpes region, was built between 1874 and 1875 under the direction of architect Jean-Marie-Emile Thoubillon. This neo-medieval building, oriented north-south, adopts a Latin cross plan with a semi-circular bedside. Its access is through a peg tower leading to a foreground sheltering the baptismal space, illuminated by stained glass windows. The interior is characterized by working carpentry and stencil paintings, while the choir, of neo-Byzantine inspiration, alternates blue, gold and white tones. The architectural homogeneity and the attention to detail give the whole a remarkable stylistic unit.
The building of this church is part of the reconstruction of a place of worship after the total destruction of the former church of St. Euphemia in 1874, located 50 meters to the west. Some materials from the previous building were reused for this new construction. The church, along with its plate plot, was listed as the Historic Monuments on June 14, 2012. Part of his interior decoration was made by the painter Claudius Barriot. Nearby, the 17th century presbytery is also the subject of a sheet in the General Inventory of Cultural Heritage.
The church's neo-medieval style reflects the architectural trends of the 19th century, marked by a return to the inspired forms of the Middle Ages, while integrating more modern decorative elements, such as the neo-Byzantine influences visible in the choir. This monument thus illustrates the desire to reconcile tradition and innovation in the religious buildings of this period, while meeting the spiritual and community needs of the local population.
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