First entry 1124 (≈ 1124)
Place of worship dedicated to Saint Foy
XIIIe siècle
Construction of the choir
Construction of the choir XIIIe siècle (≈ 1350)
Gothic style with dogive crossovers
XVe–XVIe siècles
Major expansions
Major expansions XVe–XVIe siècles (≈ 1650)
South chapel and rebuilt bell tower
XVIe siècle
Becoming parishioner
Becoming parishioner XVIe siècle (≈ 1650)
Replaces the chapel Saint-Didier
XIXe siècle
Abandonment of the site
Abandonment of the site XIXe siècle (≈ 1865)
For the benefit of St Peter's Church
27 janvier 1948
MH classification
MH classification 27 janvier 1948 (≈ 1948)
Registration for historical monuments
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church of Saint Foy (ruine): inscription by decree of 27 January 1948
Key figures
André Lhote - Painter and restorer
Worked for his backup
Haroun Tazieff - Vulcanologist and patron
Participated in its restoration
Origin and history
The Church of St. Foy of Mirmande, mentioned since 1124 as a place of worship dedicated to St. Foy, was originally the Romanesque chapel of a priory of Augustins attached to the Abbey of St. Thiers of Saoû. It replaced an older chapel, Saint-Didier, probably located in the plain. Its architecture blends a Romanesque vessel, a 13th-century Gothic choir with dogive crosses, and subsequent additions such as a south chapel (15th to 16th centuries) and a rebuilt bell tower.
In the 16th century, it became a parish church, before being abandoned in the 19th century for the benefit of a new church, Saint Peter, built at the bottom of the village to facilitate access for the faithful. Falling in ruins at the beginning of the 20th century, it was listed as historical monuments in 1948. Figures such as André Lhote and Haroun Tazieff contributed to his preservation and restoration. Disacralized, it now hosts exhibitions and concerts.
The steeple, massive and with geminied bays, dominates the right facade. The 13th century choir is based on four carved capitals. The main gate and bell tower date back to the 15th to 16th centuries. The ensemble illustrates the architectural transformations that the building has undergone over the centuries, from its Romanesque origins to its Gothic and Renaissance changes.
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