Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Church of Sainte-Marie-de-la-Nativity de Cabries à Cabriès dans les Bouches-du-Rhône

Patrimoine classé
Patrimoine religieux
Art roman provençal
Bouches-du-Rhône

Church of Sainte-Marie-de-la-Nativity de Cabries

    Place de l'Église
    13480 Cabriès
Église Sainte-Marie-de-la-Nativité de Cabriès
Église Sainte-Marie-de-la-Nativité de Cabriès
Crédit photo : AprylZA - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1600
1700
1800
1900
2000
XIIe siècle
Early construction
XVIe siècle
Add triptych
1955
Modern stained glass
3 octobre 2012
MH classification
Aujourd'hui
Aujourd'hui

Heritage classified

In total, the parish church including the presbytery above the nave and the old town gate bell tower (Box BL 200, 201): inscription by order of 3 October 2012

Key figures

J. Riousse - Glass painter Author of the 1955 stained glass windows.
Frères Rossi - Metallic craftsmen Armature of modern stained glass windows.
G. Feraud - Mason Sets windows in 1955.
Edouard Mélik - Painter Author of a 17th century canvas.

Origin and history

The Sainte-Marie-de-la-Nativity church of Cabries, located in the Bouches-du-Rhône, is a Romanesque building whose oldest parts date back to the 12th century. Built on the side of a rock, it is characterized by a single long nave of a flat bedside, and a bell tower integrated into an old town gate. Its presbytery, accessible by an adjacent street, occupies an unusual position above the nave, reflecting an original architectural adaptation.

Inside, the church houses a 16th-century triptych, a masterpiece depicting the Virgin of Mercy surrounded by Saint Catherine and Saint Anthony, symbol of local devotion. The bas-cotés, later added, and the modern stained glass windows of 1955 (work by the painter J. Rousse) illustrate his stylistic evolution. The choir, originally designed in semi-circular apse, was modified to accommodate a plaster cross vault.

Ranked a historic monument in 2012, the church retains traces of its past funeral use, with six vaults discovered under its parquet floor. Its furniture also includes a 17th century golden wooden altarpiece and statuettes by Saint Raphael, patron of Cabries, and Tobie. These elements demonstrate its central role in religious and community life since the Middle Ages.

The building combines Provencal Romanesque simplicity (broken crow, double arches) and subsequent enrichments, such as late open side chapels. Its bell tower, modest square campanile, and its implantation on a rock visible on the left facade underline its anchoring in the local landscape. The interventions of the Rossi brothers (framework of stained glass) and the Mason G. Feraud complete his material history.

Finally, the church illustrates the transition between Romanesque art and Gothic or Baroque additions, while preserving unique peculiarities, such as its elevated presbytery. Its inscription in the title of historical monuments in 2012 devotes its heritage value, both architectural, artistic and memorial for the municipality of Cabries.

External links