Early construction XIIe siècle (≈ 1250)
Unique nave and Provencal Romanesque structure.
XVIe siècle
Add triptych
Add triptych XVIe siècle (≈ 1650)
Masterpiece of the Virgin of Mercy.
1955
Modern stained glass
Modern stained glass 1955 (≈ 1955)
Created by J. Rousse in blown glass.
3 octobre 2012
MH classification
MH classification 3 octobre 2012 (≈ 2012)
Enrolment in full with presbytery.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
In total, the parish church including the presbytery above the nave and the old town gate bell tower (Box BL 200, 201): inscription by order of 3 October 2012
Key figures
J. Riousse - Glass painter
Author of the 1955 stained glass windows.
Frères Rossi - Metallic craftsmen
Armature of modern stained glass windows.
G. Feraud - Mason
Sets windows in 1955.
Edouard Mélik - Painter
Author of a 17th century canvas.
Origin and history
The Sainte-Marie-de-la-Nativity church of Cabries, located in the Bouches-du-Rhône, is a Romanesque building whose oldest parts date back to the 12th century. Built on the side of a rock, it is characterized by a single long nave of a flat bedside, and a bell tower integrated into an old town gate. Its presbytery, accessible by an adjacent street, occupies an unusual position above the nave, reflecting an original architectural adaptation.
Inside, the church houses a 16th-century triptych, a masterpiece depicting the Virgin of Mercy surrounded by Saint Catherine and Saint Anthony, symbol of local devotion. The bas-cotés, later added, and the modern stained glass windows of 1955 (work by the painter J. Rousse) illustrate his stylistic evolution. The choir, originally designed in semi-circular apse, was modified to accommodate a plaster cross vault.
Ranked a historic monument in 2012, the church retains traces of its past funeral use, with six vaults discovered under its parquet floor. Its furniture also includes a 17th century golden wooden altarpiece and statuettes by Saint Raphael, patron of Cabries, and Tobie. These elements demonstrate its central role in religious and community life since the Middle Ages.
The building combines Provencal Romanesque simplicity (broken crow, double arches) and subsequent enrichments, such as late open side chapels. Its bell tower, modest square campanile, and its implantation on a rock visible on the left facade underline its anchoring in the local landscape. The interventions of the Rossi brothers (framework of stained glass) and the Mason G. Feraud complete his material history.
Finally, the church illustrates the transition between Romanesque art and Gothic or Baroque additions, while preserving unique peculiarities, such as its elevated presbytery. Its inscription in the title of historical monuments in 2012 devotes its heritage value, both architectural, artistic and memorial for the municipality of Cabries.
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