Construction of the first church début XIIe siècle (≈ 1204)
Medieval building near a Flemish farm.
1615
Fire by lightning
Fire by lightning 1615 (≈ 1615)
Destruction of the Church of St Mary Magdalene.
14 août 1934
Accidental fire
Accidental fire 14 août 1934 (≈ 1934)
Only a statue of St. Theresa saved.
1934 (après août)
Brick reconstruction blonde
Brick reconstruction blonde 1934 (après août) (≈ 1934)
New word: Holy Thérèse of the Child Jesus.
1er janvier 1968
Electric fire
Electric fire 1er janvier 1968 (≈ 1968)
Collapse of the vault, intact walls.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Lucien Jonas - Artist painter
Author of the fresco of the Crucifixion.
Origin and history
The church of Sainte-Thérèse-de-l'Enfant-Jésus d'Offekerque came into being in the early 12th century when the surrounding marshes were drained. The first church, dedicated to Sainte-Marie-Madeleine, was built near a Flemish farm (called hove), giving its name to the village: hovekirk (the farm church). This toponym reflects the Flemish language influence of the time, the kerk suffix meaning "church". The original building symbolized the progressive Christianization of this marshy area, then under agricultural colonization.
In 1615, the church of Sainte-Marie-Madeleine was destroyed by a fire triggered by lightning. More than three centuries later, on 14 August 1934, a new sinister ravage the building during preparations for the Assumption festival: a candle ignites garlands, reducing the church to ashes. Only a statue of Sainte-Thérèse survives the flames. The church is then rebuilt into a blond brick, under the current name of Sainte-Thérèse-de-l'I'Enfant-Jesus, marking a spiritual and architectural revival for the community.
On 1 January 1968, a short circuit in the bell tower caused a third fire, causing the vault to collapse but sparing the walls. Among the remarkable elements of the reconstructed church are a large fresco of the Crucifixion and a frieze, made by artist Lucien Jonas. These works, integrated into the choir, testify to the desire to preserve an artistic heritage despite historical hazards.
The history of this church illustrates the resilience of the community of Ofekerque, faced with repeated destruction, but determined to maintain a central place of worship. Its current architecture, marked by successive reconstructions, combines medieval heritage and modern contributions, while maintaining a strong local identity, linked to its Flemish and marshy past.
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