Foundation of Benedictine Priory 1175 ou 1178 (≈ 1178)
Probable origin of the present church
1648
Fire by the Spanish
Fire by the Spanish 1648 (≈ 1648)
Tower collapse
1676
Fire by the Imperials
Fire by the Imperials 1676 (≈ 1676)
Reconstruction in the 18th century
1846
South portal ranking
South portal ranking 1846 (≈ 1846)
Historic Monument Protection
1916
Destruction during the Great War
Destruction during the Great War 1916 (≈ 1916)
Vaults and bell tower destroyed
1929-1931
Reconstruction and restoration
Reconstruction and restoration 1929-1931 (≈ 1930)
Art Deco style and octagonal bell tower
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
South Gate: ranking by list of 1862
Key figures
Jean Gaudin - Glass artist
Author of mosaics and stained glass (1930-1931)
M. Corroyer - Architect restorer
Restoration of the southern gate (1866)
Sainte Radegonde - Local religious figure
Statue in the main porch
Origin and history
The Church of Our Lady of the Assumption of Athies came into being in the 12th century, linked to the foundation of a Benedictine priory in 1175 or 1178. This first building, of late Romanesque style, was partially destroyed on two occasions: in 1648 by the Spaniards, who burned the tower, and in 1676 by the Imperials. These successive destructions required reconstruction in the 18th century, incorporating neo-classical elements, especially in the nave. The southern gate, dated from the 13th century and in the early Gothic style, remains the oldest and most remarkable vestige, classified as a historic monument since 1862.
World War I caused major damage to the church: the vaults were pierced and the bell tower collapsed in 1916. The restoration, carried out from 1929 to 1931 by the Cooperative Society of Reconstruction of the Devastated Churches of the Diocese of Amiens, combina archaeological reconstruction (chœur, transept) and modern innovations. The bell tower, once square, was rebuilt in concrete with an octagonal plan, while the interior adopted an Art Deco style, marked by mosaics of Jean Gaudin, stained glass windows and a glass dome.
The southern gate, spared in 1914-1918 but damaged in 1940 by a d Its buildings are based on Corinthian columns, and its restoration in 1866 by architect Corroyer emphasized its heritage importance. Inside, the porch houses a statue of Saint Radegonde, linked to a reliquary of the Holy Cross, while the interior decorations (stalls, pulpit, ironwork) reflect the influence of Art Deco, bearing witness to the reconstructions of the 20th century.
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