Sculpture of the Atlanteans 3e quart XVIIe siècle (≈ 1762)
Major works by Pierre Puget inspired by the portefaix.
XVIIIe siècle
Construction of the door
Construction of the door XVIIIe siècle (≈ 1850)
Legs and lintel still visible today.
9 mai 1914
Classification of Atlanteans
Classification of Atlanteans 9 mai 1914 (≈ 1914)
Protection for historical monuments.
24 février 1926
Inscription of the door
Inscription of the door 24 février 1926 (≈ 1926)
Recognition of the 18th century heritage.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The cariatids (or atlantes) of Puget: classification by decree of 9 May 1914 - The old 18th century gate (legs and lintel): inscription by decree of 24 February 1926
Key figures
Pierre Puget - Toulouse sculptor
Author of the atlantes classified in 1914.
Origin and history
The former Toulon Town Hall, built in the 3rd quarter of the 17th century and modified in the 18th century, is an emblematic building of the city. It is distinguished by its atlantes (often falsely called cariatides), carved by Pierre Puget, which took as models local portefaix. These major works, made in a baroque style, illustrate the talent of the Toulouse sculptor and his anchoring in the social reality of the period. The building, now transformed into a tourist office, also preserves an 18th-century door, a witness to subsequent developments.
Puget's atlantes, classified as historical monuments by order of 9 May 1914, are the most remarkable element of the building. Their official protection underscores their artistic and heritage value. The 18th century gate, with its legs and lintel, was inscribed by order of 24 February 1926, supplementing the recognition of the site. These successive protections reflect the historical and cultural importance of the building, linked to both the urban history of Toulon and the legacy of Pierre Puget, a major figure in French sculpture.
Located in the Sinse quay in the city centre, the former Town Hall embodies Toulon's central role as a maritime and administrative stronghold under the Old Regime. Its transformation into a tourism office in the 20th century has preserved this heritage while opening it to the public. The building, owned by the municipality, remains a symbol of the Toulouse identity, mixing local history, baroque art and urban memory.
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