Construction of the triumphal door 1587–1589 (≈ 1588)
Made at the workshop of Kerjean Castle.
1610
Erection of the calvary
Erection of the calvary 1610 (≈ 1610)
Last great calvary of parish enclosures.
1670–1683
Organ of Jacques Mascard
Organ of Jacques Mascard 1670–1683 (≈ 1677)
Reworked by Dallam and Grimont.
1676–1682
Construction of ossuary
Construction of ossuary 1676–1682 (≈ 1679)
By architect Jean Le Bescont.
1886
First rankings MH
First rankings MH 1886 (≈ 1886)
Ossuary, ordeal and church protected.
8 juin 1998
Church Fire
Church Fire 8 juin 1998 (≈ 1998)
Catering until 2005.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church; ordeal; ossuary D 837): by order of 12 July 1886; Arc de Triomphe (Case D 837): by order of 21 February 1914; Wall of the old cemetery (Box D 837): classification by order of 24 March 1928
Key figures
Jean Le Bescont - Architect
Manufacturer of the ossuary (1676–182).
Jacques Mascard - Organ factor
Author of the organ in 1670.
Thomas Dallam - Organ factor
Remade organ (1681–183).
Florentin Grimont - Organ factor
Acted on the organ in 1789.
Origin and history
The parish enclosures of Saint-Thégonnec, located in the village of Saint-Thégonnec Loc-Eguiner (Finistère), is an emblematic religious complex built between the 16th and 18th centuries. Composed of a Notre-Dame church, an ossuary, a calvary and a triumphant granite gate, it illustrates Breton Renaissance architecture. Ranked a historic monument in 1886 for certain elements, it attracts visitors each year during the annual pardon, on the 2nd Sunday of September.
The church of Notre-Dame, sober in appearance but richly decorated (retreadable, statues, stained glass), houses a 1670 organ rebuilt by Dallam and Grimont, as well as an oak baptistery of 1675. Damaged by a fire in 1998, it was restored identically until 2005, except the altarpiece of Notre-Dame du Vrai Secours, redone. The ossuary (1676–82), dedicated to the dead without bones, and the calvary of 1610, sober but dramatic, complete this unique ensemble.
The triumphal door (1587–89), built in the workshop of the castle of Kerjean, marks the entrance of the enclosure with its statues in keranton (God the Father, the archangel Gabriel, Our Lady of True Help). Ranked in 1914, it symbolizes Breton Renaissance art. The ossuary, with its spectacular Tombing and its altarpiece dedicated to Saint Joseph, reflects local piety. Guided tours organized by the association SPREV in July-August value this heritage.
It is a communal property that embodies the fusion between sacred art and parish life. His ordeal, the last of the great ordeals of the enclosures, and his ossuary without bones (the ancients having been destroyed around 1850) testify to an evolution of funeral practices. The site, restored after the 1998 fire, remains a place of memory and devotion, ranked among the most visited monuments of Finistère.
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Future
The association Safeguarding the Live Religious Heritage (SPREV) offers visits. They take place in July and August and are carried out by volunteer guides.
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