Construction of the fountain 1751-1752 (≈ 1752)
Date attested by Wollbrett (1959)
1770
First restoration
First restoration 1770 (≈ 1770)
Gravure "RENOVATUM 1770"
1934
Registration historical monument
Registration historical monument 1934 (≈ 1934)
Order of 21 April 1934
1991
Swan restoration
Swan restoration 1991 (≈ 1991)
Funded by Heiner Kroeher
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Fountain of 18s: inscription by decree of 21 April 1934
Key figures
Étienne Lamy - Strasbourg Sculptor
Author of the original genius and swan
Heiner Kroeher - Patron and composer
1991 restaurant financier
Origin and history
The Neuwiller-lès-Saverne fountain, which has been listed as a historic monument since 1934, is distinguished by its octagonal basin and its rock decor. It is located in the courtyard of the Chapter, in the heart of the Alsatian municipality. According to historical research (Wollbrett 1959), its construction dates back to 1751-1752, as evidenced by its absence from 1730 and its presence on the 1753 plan. Originally, she was crowned with a pyramid and genius with a golden swan, works by sculptor Étienne Lamy of Strasbourg, probably missing during the Revolution.
The central level, decorated with a rock decoration, now supports a bronze swan with half-open wings, restored in 1991 thanks to the funding of composer Heiner Kroeher. Several restoration dates are engraved on the fountain: MDCCCXXII (1822), RENOVATUM 1770, 1901, 1914, and 1934. These inscriptions reflect the various interventions to preserve this heritage, including the last inscription in the title of historical monuments dating from 1934.
Architecturally, the fountain combines Baroque and rococo elements, typical of the 18th century Alsatian. The curved basin and eroded inscription tables add to its historical character. Although the exact location is estimated to be "passible" (level 5/10), its location in the courtyard of the Chapter makes it a central point of local heritage. The fountain remains a testimony of the artistic know-how of the time, especially those of Étienne Lamy, and of the successive restorations that allowed its conservation until today.
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