Deal with Grandgirard 1856 (≈ 1856)
Order of the statue of St. Peter Fourier
1855-1860
Construction of the fountain
Construction of the fountain 1855-1860 (≈ 1858)
Directed by Colard and Grandgirard
27 mars 2000
Historical Monument
Historical Monument 27 mars 2000 (≈ 2000)
Registration by ministerial decree
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Fontaine (non-cadaster): entry by order of 27 March 2000
Key figures
Christophe Colard - Architect
Designer of the general plan of the fountain
Constant Grandgirard - Graylo Sculptor
Author of the statue and decorations
Saint Pierre Fourier - Local religious figure
Represented by the Blessed Statue
Origin and history
The Saint-Pierre-Fourier fountain of Gray was built between 1855 and 1860 as part of a project to clean up the drinking water system, initiated after the cholera epidemics of 1849 and 1854. Designed by architect Christophe Colard, it met an urgent need for public hygiene and urban infrastructure modernization. Its strategic location, at the corner of the Grande-Rue and rue du Marché, made it a central point for Gray's residents, while marking a break with past health crises.
The fountain is distinguished by its two-storey architecture of basins adorned with rock motifs, surmounted by a round-bosse statue depicting Saint Pierre Fourier blessing. This work, made by the Greylist sculptor Constant Grandgirard in 1856, bears the artist's signature on his base. The choice of Saint Pierre Fourier, a venerated local figure, reinforces the link between the monument and the religious history of the city. The fountain, a communal property, was classified as Historic Monument by order of 27 March 2000, highlighting its heritage and artistic value.
The project is part of a broader context of urban transformation in the 19th century, where access to drinking water became a priority to limit epidemic risks. The cholera epidemics, which struck Gray in 1849 and 1854, accelerated municipal decisions for health infrastructure. The fountain thus embodies both a technical response to crises and a symbol of resilience, mixing public utility and religious homage. Its eclectic style, combining rock and realistic sculpture, reflects the artistic trends of the period, while anchoring the monument in the everyday landscape of the Graylois.
Announcements
Please log in to post a review