End of the seigneury of Rupt 1535 (≈ 1535)
Family possession deadline
XVe-XVIe siècle
Construction of the cross
Construction of the cross XVe-XVIe siècle (≈ 1650)
Late Gothic period, remarkable artistic style
3 novembre 1930
Historical Monument
Historical Monument 3 novembre 1930 (≈ 1930)
Official protection by the French State
Milieu du XIXe siècle
Restoration by the parish priest Bourgnier
Restoration by the parish priest Bourgnier Milieu du XIXe siècle (≈ 1950)
Recovery after the Revolution
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Cemetery Cross: Order of 3 November 1930
Key figures
Famille de Rupt - Lords of Charnay
Owners until 1535, weapons on the shield
Curé Bourgnier - Restaurant restaurant in the 19th century
Raised the cross after 1789
Origin and history
The cemetery cross of Charnay-lès-Chalon is a Gothic cross dating from the late 15th or 16th century, located in the old cemetery of the commune, to the right of the church. She presents a Christ on her avers, with an expressive representation of the Passion: head crowned with thorns, body in position of exhalation. The reverse shows a crowned Virgin with the Child, accompanied in lower part by Saint Mary Magdalene holding a bottle of perfume, symbol of the anointing of Christ. An shield identified as that of the Rupt family, local lords until 1535, attests to its link with the regional nobility.
Ranked a historical monument by decree of November 3, 1930, this octagonal cross experienced vicissitudes: it was overthrown during the French Revolution and raised in the mid-19th century by the parish priest Bourgnier. Its cask, reinforced by a metal frame, carries high reliefs of remarkable artistic quality for a rural cemetery cross. The presence of Mary Magdalene and the Virgin underscores her role both funeral and devotional in the community.
The sources mention an approximate location at 10 Rue de la Forge, in an enclosure now decommissioned as a cemetery. The cross belongs to the commune and illustrates the religious heritage of the Burgundy Bresse, marked by the influence of seigneurial families such as the Rupt. His iconography, mixing Christian scenes and heraldic symbols, reflects the artistic and devotional practices of the late Middle Ages in this region.
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