Opening of the rue de l'Odéon 1779 (≈ 1779)
Way created during town planning work.
4e quart XVIIIe siècle
Construction of building
Construction of building 4e quart XVIIIe siècle (≈ 1887)
Estimated construction period between 1775 and 1800.
2 mai 1947
Registration Historic Monument
Registration Historic Monument 2 mai 1947 (≈ 1947)
Protection of the facade and roof.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The façade on street and roof: inscription by decree of 2 May 1947
Key figures
Information non disponible - No character identified
Sources insufficient to determine architects or owners.
Origin and history
The building at 7 rue de l'Odéon, in the 6th arrondissement of Paris, dates from the 4th quarter of the 18th century. This building, typical of the Parisian civil architecture of the end of the Ancien Régime, is distinguished by its facade on street and roof, protected by a registration order under the title of Historical Monuments since May 2, 1947. Its location, in a neighbourhood then undergoing urban transformation, reflects the expansion and beautification of Paris during the reign of Louis XVI, marked by the construction of many private hotels and related buildings for a rising bourgeoisie.
The protection of this building is part of a desire to preserve the architectural heritage of Paris from the 18th century, a period that is pivotal between the rock style of previous decades and the neoclassicism that emerged. Although the available sources do not specify its original use, this type of building was often intended for residential or mixed functions (housing and shops on the ground floor), meeting the needs of a growing Parisian population. The location on the rue de l'Odéon, opened in 1779 as part of the major urban development work of the century, highlights its anchoring in a cultural and intellectual district, close to the theatre of the Odéon inaugurated the same year.
Current data do not provide information on the potential historic owners or occupants of the building, nor on the architects who contributed to its design. However, its inscription in 1947 shows the patrimonial interest of this type of construction, representative of a time when Paris was asserting itself as the capital of the Enlightenment. The accuracy of its location is assessed as fair (note of 5/10), suggesting margins of uncertainty about its exact location or original parcel boundaries.
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