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Funeral monument of Pierre-Victor Loth à Saint-Maixant dans la Creuse

Creuse

Funeral monument of Pierre-Victor Loth

    905 Route Principale
    23200 Saint-Maixant
Monument funéraire de Pierre-Victor Loth
Monument funéraire de Pierre-Victor Loth
Monument funéraire de Pierre-Victor Loth
Monument funéraire de Pierre-Victor Loth
Monument funéraire de Pierre-Victor Loth
Crédit photo : LucasD - Sous licence Creative Commons

Timeline

Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1842
Birth of Pierre-Victor Loth
1900
Construction of the monument
1932
Death of Pierre-Victor Loth
18 décembre 1981
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Funeral monument: concession no. 4 (Case AC 40): inscription by decree of 18 December 1981

Key figures

Pierre-Victor Loth - Stone tailor and mason Manufacturer and builder of the monument.

Origin and history

Pierre-Victor Loth's funerary monument, located in Saint-Maixant (Creuse), is a vault built in 1900 by its owner himself. This monument is distinguished by its ingenuous composition and picturesque esotericism, mixing sacred objects, plant motifs and superimposed symbolic elements. Its rectangular structure comprises four levels: a degree base, a carved trapezoidal block, two adorned piles supporting a slab, and a complex crowning (canned pillar, basin, globe, cross and pyramid). Loth, born in 1842 in Saint-Maixant and died in 1932, was the son of a mason and became a stone tailor, working in Langres and Paris. His logbook, kept in town hall, bears witness to his artisanal journey.

Ranked Historic Monument by decree of 18 December 1981, this vault reflects the autodidaxis and popular creativity of its author. The protected elements correspond to concession number 4 (cadastre AC 40), and the monument embodies a unique synthesis between Masonic know-how and personal symbolism. The location, noted as little accurate (level 5/10), would locate the site near the 5001 in Saint-Maixant, in the former Limousin region (now New Aquitaine).

The mysterious iconography of the monument — hooks, volutes, stylized foliage — questions the influences of Loth, between Christian tradition (cruix, sacred objects) and personal reinterpretations. The globe adorned with hooks and the pyramid evoke Masonic or alchemical references, although no source confirms a formal affiliation. This monument thus illustrates the porosity between popular art and spirituality at the turn of the 20th century, in a rural context where artisanal know-how was often passed on from father to son, as demonstrated by Loth's professional heritage.

External links