Construction of stairwell XVIe siècle (2e quart) (≈ 1650)
Probably dating the staircase into screws.
21 août 1928
Historical Monument
Historical Monument 21 août 1928 (≈ 1928)
Protection of the Renaissance turret by decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Renaissance Tourelle : classification by decree of 21 August 1928
Key figures
Information non disponible - Unknown owners or sponsors
Arms not assigned in the sources.
Origin and history
The house of Villefranche-de-Rouergue, dating from the 16th century, is distinguished by its Renaissance architecture typical of Rouergue. It consists of two building bodies framed by an inner courtyard, at the bottom of which rises a square tower housing a spiral staircase. The latter, accessible by a door adorned with pilasters and a circular tympanum, is illuminated by cross-sections, the last of which, surmounted by an arch in braid, carries coats of arms between two pinnacles. The tower, crowned with mâchicoulis and niches, illustrates the continuing influences of the 15th century, especially in the bases of the piedroits and in the designs of the archivot.
The street façades, connected by a wall pierced by the main entrance, lead to the courtyard where the Renaissance tower dominates the whole. Its door, decorated with pilasters covered in Arabic and surmounted by a crumbly window, bears witness to the stylistic transition of the 16th century in the region. The four windows of the stairwell, without sculpture except for the last, reflect an ornamental sobriety contrasting with the richness of the defensive (mâchicoulis) and symbolic elements (arms). Classified as a Historical Monument in 1928 for its turret, this house embodies the adaptation of medieval forms to the Renaissance canons in the French southwest.
The building, located at 2 rue des Bories, combines residential and defensive functions, as evidenced by the mâchicoulis protecting access to the stairs. The stairwell, probably dating from the second quarter of the 16th century, reveals a technical and aesthetic mastery characteristic of the period. The sculpted coat of arms, although not attributed in the sources, underline the social status of the owners, while the location in the city centre (GPS precision deemed "passable") suggests a role in the urban fabric of Villefranche, medieval bastide in full transformation during the Renaissance.
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