Construction of the villa 1908 (≈ 1908)
House built by Maurice Forien.
26 décembre 2000
Registration for historical monuments
Registration for historical monuments 26 décembre 2000 (≈ 2000)
Protection of the body of houses and external elements.
1er quart XXe siècle
Construction period
Construction period 1er quart XXe siècle (≈ 2025)
Art Nouveau style dominant.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Housing housing in its entirety, including its building decorations by destination, the street fence and the portal (CV 145): registration by order of 26 December 2000
Key figures
Maurice Forien - Architect
Designer of the villa in 1908.
Alphonse Gorgeon - Glass painter
Author of Art Nouveau stained glass windows.
Origin and history
The Lorraine villa is a house built in Besançon in the Doubs at the beginning of the 20th century. Built in 1908 by architect Maurice Forien, it is part of a series of adjoining houses and is distinguished by its garden overlooking the street, accessible via a gate leading to outbuildings. Its eclectic architecture combines asymmetry of facades and diversity of materials: stone, brick, metal, ceramic, wrought iron and stained glass. Inside, marble fireplaces, decorated ceilings and original sanitary facilities are preserved, reflecting the bourgeois luxury of the time.
The Art Nouveau stained glass windows, made by master glassmaker Alphonse Gorgeon, are one of the most remarkable elements of the villa. The entire house body, including its interior decorations, as well as the fence and gate, was listed as historical monuments on 26 December 2000. In addition, the villa benefits from the 20th century heritage label, awarded by the Ministry of Culture, highlighting its architectural and historical importance in the local heritage.
Located at 18 rue de Vittel, the Lorraine villa illustrates the evolution of architectural styles in Besançon at the turn of the century. Its state of preservation, including original furniture and decorations, makes it a rare testimony of the art of living of the bisontine bourgeoisie. The materials and techniques used, such as wrought iron or ceramics, also reflect the industrial and craft innovations of the time.
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