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Saint John Baptist Church of Comiac dans le Lot

Lot

Saint John Baptist Church of Comiac

    16 Impasse Saint-Jean-Baptiste
    46190 Sousceyrac-en-Quercy

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1600
1700
1800
1900
2000
XIVe siècle
First written entry
XVIe siècle
Destruction during the Wars of Religion
1794
Creation of the bell Marie-Thérèse
XIXe siècle
Expansion and modification
1895
Blessing of the bell Anne
1920
Installation of the bell Marie
Aujourd'hui
Aujourd'hui

Key figures

Abbé Gouzou - Drafter Represented the church in the seventeenth century.
Abbé Lacam - Priest Blessed the bell Anne in 1895.
M. Guillaume - Painter Author of the painting of the Blessed Sacrament.

Origin and history

Saint-Jean-Baptiste de Comiac Church is a Catholic church in the Lot department, Sousceyrac-en-Quercy. It is mentioned for the first time in the 14th century, but still visible Romanesque elements suggest an earlier origin. This monument, referred to in the Merimée base and the General Inventory of Occitanie, has had a turbulent history, especially during the Wars of Religion, where it was destroyed by Protestants before being rebuilt on the same site by reusing the Romanesque remains.

In the 19th century, the church underwent major expansion: the nave was enhanced and a bell tower was added. These changes have transformed its appearance, as illustrated by a 17th-century drawing by Abbé Gouzou, which shows the earlier state of the building. The church also retains a notable sound heritage, with three bells named Marie-Thérèse (1794, replaced in 2002), Anne (1895), and Marie (1920), each marked by distinct historical and artistic characteristics.

The interior furniture of the church is now reduced to two rectoral seats in Louis XV style and a painting of the Blessed Sacrament, made by Mr. Guillaume de Saint-Céré, today disappeared. These elements reflect both the losses suffered over the centuries and the modest but significant traces of its religious and artistic heritage. The church remains an architectural testimony of local transformations and resilience, from 16th century religious conflicts to 19th century beautifications.

External links