First written entry XIVe siècle (≈ 1450)
Church quoted for the first time.
XVIe siècle
Destruction during the Wars of Religion
Destruction during the Wars of Religion XVIe siècle (≈ 1650)
Reconstruction with reuse of Romanesque remains.
1794
Creation of the bell Marie-Thérèse
Creation of the bell Marie-Thérèse 1794 (≈ 1794)
Replaced in 2002 due to cracks.
XIXe siècle
Expansion and modification
Expansion and modification XIXe siècle (≈ 1865)
Addition of the bell tower and enhancement of the nave.
1895
Blessing of the bell Anne
Blessing of the bell Anne 1895 (≈ 1895)
Directed by Abbé Lacam.
1920
Installation of the bell Marie
Installation of the bell Marie 1920 (≈ 1920)
Ornate with a garland in relief.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Abbé Gouzou - Drafter
Represented the church in the seventeenth century.
Abbé Lacam - Priest
Blessed the bell Anne in 1895.
M. Guillaume - Painter
Author of the painting of the Blessed Sacrament.
Origin and history
Saint-Jean-Baptiste de Comiac Church is a Catholic church in the Lot department, Sousceyrac-en-Quercy. It is mentioned for the first time in the 14th century, but still visible Romanesque elements suggest an earlier origin. This monument, referred to in the Merimée base and the General Inventory of Occitanie, has had a turbulent history, especially during the Wars of Religion, where it was destroyed by Protestants before being rebuilt on the same site by reusing the Romanesque remains.
In the 19th century, the church underwent major expansion: the nave was enhanced and a bell tower was added. These changes have transformed its appearance, as illustrated by a 17th-century drawing by Abbé Gouzou, which shows the earlier state of the building. The church also retains a notable sound heritage, with three bells named Marie-Thérèse (1794, replaced in 2002), Anne (1895), and Marie (1920), each marked by distinct historical and artistic characteristics.
The interior furniture of the church is now reduced to two rectoral seats in Louis XV style and a painting of the Blessed Sacrament, made by Mr. Guillaume de Saint-Céré, today disappeared. These elements reflect both the losses suffered over the centuries and the modest but significant traces of its religious and artistic heritage. The church remains an architectural testimony of local transformations and resilience, from 16th century religious conflicts to 19th century beautifications.
Announcements
Please log in to post a review