Crédit photo : Véronique PAGNIER - Sous licence Creative Commons
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Timeline
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
XVIIIe siècle
Initial construction
Initial construction XVIIIe siècle (≈ 1850)
Presumed period of construction.
1878
Acquisition by the department
Acquisition by the department 1878 (≈ 1878)
Repurchase for the Normal School of Teachers.
2 octobre 1964
Historical Monument
Historical Monument 2 octobre 1964 (≈ 1964)
Official protection of the hotel and its surroundings.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Hotel de Caumont, including the floor of the courtyard and the garden floor (cad. MM 16p, 17p): by order of 2 October 1964
Key figures
Famille Franque - Architects
Considered the hotel's creators.
Yvon Lambert - Galerist
Collector of contemporary art exhibited in the hotel.
Origin and history
The Hotel de Caumont, located at 5 rue Violette in Avignon, is a remarkable example of an 18th century mansion. Acquired in 1878 by the General Council of Vaucluse, he was initially assigned to the Normal School of Teachers, then to the National Gendarmerie. Despite the transformations associated with these occupations, he remains considered the masterpiece of the Franque family, renowned Avignon architects. Its history reflects the urban and institutional changes of the city after the Revolution.
Ranked Historic Monument by order of October 2, 1964, the Hotel de Caumont includes in its protection the floor of its courtyard and garden. This ranking underscores its heritage importance, both for its architecture and for its role in local history. Today, it is home to one of the most beautiful collections of contemporary art in Europe, made up of galleryist Yvon Lambert, thus merging historical heritage and cultural modernity.
The location of the hotel, in the historic centre of Avignon, is emblematic of medieval and modern urban planning of the city of popes. The neighborhood, marked by the presence of many private hotels, bears witness to the aristocratic and religious influence that shaped the city, especially during the papal period. The successive transformations of the hotel, from its construction to its contemporary uses, illustrate the adaptation of historic buildings to the changing needs of society.
The source text does not provide precise details of the initial construction of the hotel, such as the names of the first owners or the exact dates of its construction. However, its integration into the Avignon urban fabric, between medieval ramparts and modern development, makes it a symbol of the historic stratification of the city. Violette Street, where it is located, is itself full of history, with an evolutionary toponymy reflecting past artisanal and social activities.
The acquisition by the department of Vaucluse in the 19th century allowed the preservation of this heritage, thus avoiding greater destruction. Architectural interventions, such as those of the Franca, have left stylistic traces that today make the hotel singular. Its openness to the public, through exhibitions and cultural events, makes it a living place, anchored in the present while celebrating its past.
Finally, the Hotel de Caumont is part of a broader dynamic of valuing the Avignon heritage, alongside other monuments such as the Palace of the Popes or the ramparts. Its history, although partially documented in available sources, reflects the challenges of preserving and re-appropriating historic spaces in a city where the past and present coexist closely.
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