Crédit photo : Marianne Casamance - Sous licence Creative Commons
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Timeline
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
29 avril 1692
Land purchase
Land purchase 29 avril 1692 (≈ 1692)
Jean-Paul Raoulx acquires two houses on Rue Bonneterie.
20 août 1696
Start of work
Start of work 20 août 1696 (≈ 1696)
Award signed with the Mangarel brothers.
4 octobre 1932
MH protection
MH protection 4 octobre 1932 (≈ 1932)
Registration façade, roof and staircase.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facade, roof and staircase: inscription by order of 4 October 1932
Key figures
Jean-Paul Raoulx - Sponsor
Merchant Avignonnais, original owner.
Jean Péru - Architect
Designed balcony and mascarons.
Guillaume Poussin - Serrier
Realizes the wrought iron ramp.
Antoine Lepautre - Inspiration
Author of the Beauvais hotel (1654).
Origin and history
The Hôtel de Raoulx is a mansion built in Avignon between 1692 and 1697, at the initiative of Jean-Paul Raoulx, a merchant from Avignon. In 1692 he acquired two adjoining houses on Rue de la Bonneterie to replace them with a cossuous house, entrusting the masonry works to the Mangarel brothers (August 1696) and the frame to Pierre Gonin (August 1696). The construction period, fixed at 15 months, is supervised by architect Jean Péru, who designs the balcony decorated with a Minerve head and the mascarons of windows, inspired by the Beauvais hotel in Paris (1654).
The interior is distinguished by a wrought iron ramp staircase, made by Guillaume Poussin de Saint-Rémy-en-Provence and Charles Giraud d'Avignon, recalling that of the house Carichon (rue de Taulignan), also attributed to Jean Péru. These elements, as well as the facade and roof, bear witness to the fascination of the Avignonnais bourgeois mansions at the dawn of the eighteenth century. The ensemble has been protected as historical monuments since 4 October 1932.
Historical sources highlight the Parisian influence in the hotel's decoration, notably via the balcony whose style derives directly from the models of Antoine Lepautre. The archives also mention detailed price-facts for the various trades, illustrating the rigorous organization of the construction sites in the modern era. Today, the Hotel de Raoulx remains a remarkable example of the Provencal civil architecture of the late seventeenth century, marked by a mixture of local and national influences.
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