Initial construction XVIe siècle (≈ 1650)
Built by Mr. de Rozel, lawyer.
16 juin 1937
MH classification
MH classification 16 juin 1937 (≈ 1937)
Fronts, roofs and protected interior elements.
1986–années 2010
Cultural use
Cultural use 1986–années 2010 (≈ 1998)
Center of Contemporary Art until recently.
2012
Status Alert
Status Alert 2012 (≈ 2012)
Advanced degradation reported to the authorities.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Fronts on courtyard and on street as well as roofs: classification by decree of 16 June 1937
Key figures
Monsieur de Rozel - Sponsor and first owner
Lawyer, hotel builder at 16th.
Famille de Viviès - Subsequent owner
Gives his current name to the hotel.
Origin and history
The Hotel de Viviès, built in the 16th century in Castres by Monsieur de Rozel, a lawyer in the chamber of edict, embodies the Renaissance style told to the Toulouse. Backed by the old city's enclosure, he then moved to the families of Saint Rome and then to Viviès. Its classical plan, with three wings around a court of honor and a monumental portal adorned with the Rozel coat of arms, reflects the aristocratic habitat of the Midi.
The square tower, which houses a French staircase with two parallel flights, is distinguished by its carved oculi and its frontons in a gendarme hat. The crucifixed windows, pilasters and geometric mouldings of the doors testify to a careful decor. Starting in 1986, the hotel hosts a Centre d'Art Contemporain, but its condition deteriorates sharply by 2012, prompting calls for its restoration.
Ranked a historic monument in 1937 for its facades, roofs and interior elements (stone stairway, decorative loggia, exposed floor ceilings), the hotel illustrates the adaptation of Renaissance architectural models to local particularities. Its bossed portal, flanked by console pilasters, and its sculpted coat of arms underline its original prestige.
In 2012, a local elected official alerts the authorities (mayor, deputies, DRAC) to save the building, highlighting the challenges of preserving historic private hotels. Despite its recent cultural use, its structure remains threatened by lack of maintenance, while it is a rare example of Renaissance private habitat in Occitanie.
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