Construction period XVIIIe siècle, XIXe siècle (≈ 1865)
Private hotel built over two centuries.
13 avril 1928
Historical Monument
Historical Monument 13 avril 1928 (≈ 1928)
Door protection, woodwork and stair ramp.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The monumental gate on street (vantaux included), the woodwork of the living room on ground floor and the wrought iron staircase ramp: inscription by decree of 13 April 1928
Key figures
Information non disponible - No character mentioned
Sources do not cite any related historical actors.
Origin and history
The Hôtel Gégault de Crisenoy is a historic monument located at 16 rue des Quatre-Fils in the 3rd arrondissement of Paris. Built between the 18th and 19th centuries, it embodies the Parisian residential architecture of this period, with decorative and structural elements typical of the period. The building is known for its monumental street door, its interior woodwork and its wrought iron staircase ramp, which bear witness to the craftsmanship and aesthetic taste of the Parisian elites of the Ancien Régime and the following century.
Ranked as a Historic Monument by order of 13 April 1928, the hotel specifically protects these three elements: the door (including avantaux), the woodwork of the living room on the ground floor, and the staircase ramp. These protections reflect a desire to preserve emblematic architectural details, often threatened by urban transformations. Although the exact address has been clarified (including a GPS approximation indicating 18 rue des Quatre-Fils), the hotel remains a representative example of the Parisian heritage, marked by a historical location in a constantly changing neighbourhood.
Practical information on opening to the public, renting rooms or possible guest rooms is not mentioned in the available sources. The monument seems to be primarily known for its architectural and heritage interest, without its current use being clearly documented. The accuracy of its location is assessed as poor (note 5/10), which may reflect uncertainties or changes in the Parisian urban fabric over the centuries.
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