Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Hotel Lavernette in Besançon dans le Doubs

Patrimoine classé
Patrimoine urbain
Hotel particulier classé
Doubs

Hotel Lavernette in Besançon

    3 Rue du Lycée
    25000 Besançon
Hôtel Lavernette à Besançon
Hôtel Lavernette à Besançon
Hôtel Lavernette à Besançon
Hôtel Lavernette à Besançon
Hôtel Lavernette à Besançon
Hôtel Lavernette à Besançon
Hôtel Lavernette à Besançon
Hôtel Lavernette à Besançon
Hôtel Lavernette à Besançon
Hôtel Lavernette à Besançon
Hôtel Lavernette à Besançon
Crédit photo : Wikipedro - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1782
Marriage of sponsors
avril 1789
Building permits
1789–1792
Construction of hotel
1883
Sale to family Jacquin
18 octobre 1979
Registration MH
décembre 2019
Last known sale
Aujourd'hui
Aujourd'hui

Heritage classified

Facades and roofs; the staircase with its ramp and cage; the following rooms with their decor: the large living room, the alcove room and the room next to it on the first floor (see AW 38): inscription by order of 18 October 1979

Key figures

Claude-Antoine Colombot - Architect Designs the hotel and supervises decors and artisans.
Abel-Michel Bernard de La Vernette Saint-Maurice - Sponsor and first owner Count and officer, marry Augustine de Choutants.
Augustine de Chappuis de Rosières - Sponsor and owner Daughter of a Speaker in Besançon Parliament.
Joseph-Marcel Marca - Piedmontese stuccotor Realize interior and exterior decor in stucco.
Antoine Munier - Cabinetist Participates in woodwork under the direction of Colombot.

Origin and history

The Hotel de Lavernette is a neoclassical mansion built between 1789 and 1792 in Besançon, Doubs department, by the architect Claude-Antoine Colombot for Count Abel-Michel Bernard de La Vernette Saint-Maurice. Commanded at the dawn of the Revolution, it represents the last aristocratic construction of this type in the city. The count, captain of the regiment of Orleans and lieutenant of the Marshals of France, appealed to Colombot after his marriage in 1782 with Augustine de Choutés de Rosières, daughter of a president of the Besançon Parliament. The construction site, exceptionally documented by family and municipal archives, reveals a collaboration with exceptional artisans, such as the Piedmontese stuccotor Joseph-Marcel Marca or the cabinetmaker Antoine Munier.

The seven-span, street façade is distinguished by an alternate fronton forebody and a baluster balcony, while the inner courtyard houses stucco decorations with sponsors' initials. The honorary staircase, treated in bosses imitating marble, leads to preserved interiors, including the large living room, the alcove room (with a ceiling decorated with poppy and roses), and a circular room on the second floor. The archives attest to the source of the materials, such as the glass windows of the Champagney glass factory (Haute-Saône) or the woodwork inspired by Colombot's drawings. The successive owners — the Jacquin families (from 1883 onwards) and the current purchasers (since 1975) — maintained the integrity of the site, allowing for a partial inscription to the historic monuments in 1979.

The hotel illustrates the typology of the bisontin hotels of the eighteenth century, with a back yard and commons in return for square. Its interior decor, almost intact, includes original huisseries, partly re-used 17th century parquet floors, and chimneys signed by Colombot. Among the remarkable elements are the four terracotta busts of the serl berry, symbolizing the seasons and ages of life, or the original closure system of an oculus window. The documentary wealth of the project — plans, invoices, archival photographs — makes it a rare testimony of the aristocratic art of living in Franche-Comté on the eve of the Revolution.

The site, located 3 rue du Lycée in the area of La Boucle, was sold in December 2019, marking the end of three centuries of transmission between only three families. Its history reflects the social changes of Besançon, from the Ancien Régime to the industrial era, while preserving an exceptional architectural and decorative heritage, now protected and studied.

External links