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Moreau Hotel - Paris 9th

Patrimoine classé
Hotel particulier classé

Moreau Hotel - Paris 9th

    20 Rue de la Chaussée-d'Antin
    75009 Paris
Hôtel Moreau - Paris 9ème
Hôtel Moreau - Paris 9ème
Hôtel Moreau - Paris 9ème
Hôtel Moreau - Paris 9ème
Hôtel Moreau - Paris 9ème

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1797
Construction of hotel
1799
Acquisition by General Moreau
1801–1802
Construction of Lequeu wing
milieu XIXe siècle
Surveillance and changes
1977
Discovery of the fragments of Notre-Dame
2013
Headquarters of the Supreme Council of the Judiciary
Aujourd'hui
Aujourd'hui

Key figures

François-Nicolas Trou dit Henry - Architect Designed the hotel in 1797.
Joseph Lakanal - Sponsor and conventional Initial owner, member of the Five Cents.
Jean-Baptiste Lakanal - Brother of Joseph Lakanal Hide the fragments of Our Lady.
Général Moreau - Owner (1799–1801) Give his name to the hotel.
Jean-Jacques Lequeu - Suspected architect Potential author of the added wing.

Origin and history

The Hotel Moreau, originally called Hotel Lakanal, is a Parisian mansion built in 1797 by architect François-Nicolas Trou dit Henry for Joseph Lakanal, member of the Council of Five Cents. This neo-classical Directory-style monument, located at 20 rue de la Chaussée-d It was the framework for preparing the coup d'état of the 18 Brumaire, a key episode of French political history.

In 1799 General Moreau (1763–13) acquired the hotel and gave it its present name. At the beginning of the 19th century, a wing called "Lequeu wing" was added (1801–1802), potentially designed by Jean-Jacques Lequeu, an architect known for his extravagant designs. In the mid-19th century, the ensemble was raised by two levels, changing its facades. The hotel has been home to the Supreme Council of the Judiciary since 2013.

A major discovery took place in 1977: 400 carved fragments of the facade of Notre-Dame de Paris, whose heads of the kings of Judah destroyed during the Revolution, were found in the courtyard. These works, hidden by Jean-Baptiste Lakanal (Joseph's brother), had escaped destruction in 1793. They are now on display at the Cluny Museum. The hotel, partially classified as a Historical Monument, retains remarkable interior decorations, such as the circular lounge.

The building illustrates the architectural transitions between the Management Board and the First Empire, with elements such as its garden-side rotunda and horizontal bands animating the facade. Its history combines artistic heritage, political intrigues and fortuitous preservation of medieval works, making it a symbol of the upheavals of the late eighteenth century.

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