Construction hotel nearby 1713-1715 (≈ 1714)
Hotel de Clermont-Tonnerre built by Lepas-Dubuisson.
4e quart XVIIe siècle
Initial construction
Initial construction 4e quart XVIIe siècle (≈ 1787)
Hotel built for a nobleman.
1838-1848
Chateaubriand Residence
Chateaubriand Residence 1838-1848 (≈ 1843)
The writer lived there until his death.
Début XIXe siècle
Sale after confiscation
Sale after confiscation Début XIXe siècle (≈ 1904)
Hotels sold after the Revolution.
10 mai 1926
Registration historical monument
Registration historical monument 10 mai 1926 (≈ 1926)
Protection of facades and woodwork.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The facade on street, vantals of the door included, the facades on courtyard and garden and the decoration of the woodwork salon of 18s: inscription by order of 10 May 1926
Key figures
François-René de Chateaubriand - Writer and politician
He lived there from 1838 to 1848.
Claude-Nicolas Lepas-Dubuisson - Architect
Designed the neighboring hotel (No 118).
Jean-Georges Rueff - Consul and collector
Habita hotel in the 1950s.
Origin and history
The hotel at 120 rue du Bac is a mansion built in the 4th quarter of the 17th century for a nobleman, in the 7th arrondissement of Paris. It is identical to the neighbouring hotel (no 118), known as Clermont-Tonnerre, built between 1713 and 1715 by the architect Claude-Nicolas Lepas-Dubuisson and decorated by the sculptors Dupin and Toro. These two hotels were confiscated during the Revolution and sold in the early 19th century.
François-René de Chateaubriand lived there from 1838 until his death on 4 July 1848. A commemorative plaque pays tribute to him in the hotel. The building has been listed as a historical monument since May 10, 1926 for its facades on street, courtyard and garden, as well as for the decoration of the 18th century woodwork salon.
In the 1950s, the hotel was inhabited by Jean-Georges Rueff, consul, collector and art merchant, and his wife Marie-Paule. Today, there remains an architectural testimony of the aristocratic Paris of the early eighteenth century, marked by its revolutionary and literary history.
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