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Private hotel 72 Boulevard du Général-de-Gaulle in Roubaix dans le Nord

Patrimoine classé
Patrimoine urbain
Hotel particulier classé
Nord

Private hotel 72 Boulevard du Général-de-Gaulle in Roubaix

    72 Boulevard du Général-de-Gaulle
    59100 Roubaix
Hôtel particulier 72 Boulevard du Général-de-Gaulle à Roubaix
Hôtel particulier 72 Boulevard du Général-de-Gaulle à Roubaix
Crédit photo : Pymouss - Sous licence Creative Commons

Timeline

Époque contemporaine
2000
4e quart du XIXe siècle
Construction of hotel
12 août 1998
Registration MH
Aujourd'hui
Aujourd'hui

Heritage classified

Façade and roof on street (cad. KO 92): inscription by decree of 12 August 1998

Key figures

Achille Edouard Dupire-Rozan - Architect Designer of the hotel and other facades.
Auguste Dupire-Deschamps - Architect Collaborator on this architectural project.

Origin and history

The private hotel on 72 boulevard du Général-de-Gaulle in Roubaix is a representative example of the eclectic architecture of the late 19th century, typical of industrial cities in the North. Located on the former boulevard de Paris, a major residential axis linking the city centre to peri-urban areas, it is part of a homogeneous set of 17 facades (n°52 to 88, excluding 80 and 82), designed for bourgeois and industrial families. This boulevard, drawn on the old Roubaix Canal, symbolized the social and economic prestige of its inhabitants, with hotels with ostentatious decors combining Renaissance and revisited classicism.

The hotel, registered for historical monuments since 12 August 1998 for its facade and roof, is part of a symmetrical trio with numbers 58 and 60, near the hotel Motte-Lagache. Architects Achille Edouard Dupire-Rozan and Auguste Dupire-Deschamps, local figures, have marked this area with their style, declining frontons, skylights and cartridges in a rich architectural vocabulary. These achievements illustrate the golden age of Roubaix, the then textile capital, where the affirmation of industrial success required a monumental and unitary architecture, reflecting fascist and power.

The building is part of a wider urban context, that of a city in full industrial expansion, where the textile and manufacturing bourgeoisie shaped the landscape. Private hotels, aligned along the major boulevards, served as both a residence and a social showcase, affirming the prosperity of their owners. Their concentration on the boulevard du Général-de-Gaulle (former boulevard de Paris) reflects an ambitious urban planning, combining functionality and representation, characteristic of the cities of the North at that time.

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