Construction of building XVIe siècle (≈ 1650)
Period related to the Maleden family.
1775
Plan des Trésoriers de France
Plan des Trésoriers de France 1775 (≈ 1775)
Map of the building and garden.
1807
Building Division
Building Division 1807 (≈ 1807)
Sale in two parts, erected wall.
12 juin 1946
Registration Historic Monument
Registration Historic Monument 12 juin 1946 (≈ 1946)
Front protection, main stairs.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facade on court; Main staircase and screw staircase serving the third floor (Box DX 128): inscription by order of 12 June 1946
Key figures
Famille Maleden - Powerful owner
Suspected commander in the 16th century.
Origin and history
The house located at 22 rue du Consulate in Limoges is a 16th century building, built under the influence of the Maleden family, the dominant social figure of the time. This private hotel reflects the austere customs of the local bourgeoisie, while integrating elements inspired by the First Renaissance, such as an open balcony staircase and a low gallery decorated with arches in basket cove. The original layout included a large entrance to Rue du Temple (now disappeared), an inner courtyard and a large garden, as evidenced by the plan of the Treasurers of France around 1775.
In 1807, the building was divided into two parts during a sale, resulting in the construction of a wall separating the courtyard. The facade on the courtyard, as well as the main staircase and a spiral staircase serving the third floor, were protected by an inscription to the Historical Monuments in 1946. The sober architecture of the building is explained by the austerity of the bourgeois limougeauds, although the latter, through their consular functions, were aware of the Italian artistic innovations disseminated by the castles of the Loire.
The historical plan of 1775 reveals a complex spatial organization: an exit to the Consulate Street, northern arcades closed by housing, and composite capitals supporting the gallery columns. The staircase of the First Renaissance, located at the southwest corner, illustrates the measured adoption of new forms by the local elite. The simplicity of the place contrasts with the social prestige of its occupants, stressing their attachment to a modest appearance despite their economic and political influence.
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