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House à Paris 1er dans Paris

Paris

House

    1 Place Louise Catherine Breslau et Madeleine Zillhardt
    75006 Paris 6e Arrondissement
Maison
Maison
Crédit photo : Oderik - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
19 septembre 1928
Registration of facades
Aujourd'hui
Aujourd'hui

Heritage classified

Fronts: inscription by decree of 19 September 1928

Origin and history

The house located at 51 rue Mazarine and 52 rue Dauphine, in the 6th arrondissement of Paris, is a monument whose facades were listed in the inventory of Historic Monuments by order of 19 September 1928. This classification reflects the heritage value of its architecture, although details of its original history or construction remain missing from available sources.

The location of this building, at the corner of two emblematic streets of the Saint-Germain-des-Prés district, suggests an integration into an urban fabric marked by centuries of Parisian history. The houses in this area, often built between the 17th and 19th centuries, reflect the evolution of architectural styles and lifestyles in the capital, although this specific house does not have precise data on its construction period or historical occupants.

Practical information indicates that the monument is referenced in the Mérimée base under Insee code 75106, confirming its administrative anchoring in the city of Paris and the Île-de-France region. No mention is made of its accessibility to the public, its current vocation (housing, commerce, etc.), or of any protected interior arrangements, thus limiting themselves to the preservation of its facades.

The general context of Parisian houses of this time often reveals a mixed use, combining bourgeois housing, artisan workshops or local shops. In the 6th arrondissement, an intellectual and artistic district since the Middle Ages, these buildings were part of the daily life of a varied population, ranging from academics to merchants to aristocrats. Their preservation allows today to preserve the memory of a pre-Hhaussmannian or post-revolutionary Paris, as the case may be, although this particular house does not give details of its precise role in this painting.

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